zombie
MadS playful spirit elevates it from film school exercise to wild romp. Fans of Y2K-era zombie movies like Rec or indie bad trips like Bliss are in for a treat.
There is a deep love that carries through the devastation, Train to Busan delivers what movies are all about.
Coupled with strong performances and talent behind the camera, All of Us Are Dead is a binge-worthy venture.
In this week’s installment of Horrific Inquiry, we take a look back at George A. Romero’s 1968 masterpiece, Night of the Living Dead.
Fans of Snyder will undoubtedly find value in it, with moments where the director is allowed to play to his strengths, but they’re far and few between.
Luke Parker spoke with prolific voice actor Carlos Alazraqui about his live-action zombie gangster film, Witness Infection.
Heightened by its mirroring of current events, The Hall is an incredibly exhilarating ride you won’t want to get off of.
Though filmed decades ago, George A. Romero’s The Crazies and Day of the Dead are still frighteningly relevant to today’s current pandemic.
It is a fun zom-com, but if you aren’t desperately seeking out for a lighthearted zombie film, then it’s maybe not the first film you would come across.
The Walking Dead acts as a return to the toxic, abhorrent roots of the zombie genre, and presents a world where racism doesn’t exist.
Zombieland: Double Tap is a funny, but unnecessary sequel to the 2009 zom-com from Ruben Fleischer. Maria Lattila reviews.
One Cut for the Dead is an inventive zombie comedy that encourages the feel good celebration of the hard work that goes into making any film.