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CHARLIE TANGO: A Turbulent Thriller
TUESDAY: We Need More Original Films Like This
KINDS OF KINDNESS: Three Short Films In A Trench Coat
Toronto International Film Festival 2024: HERETIC, PRESENCE & HOLD YOUR BREATH
One For the Road: A Bite-Sized Horror
HOW I ROLL: Hits the Gas on Heart
YOU ARE HERE: Comedy in a Cosmic Revelation
PRINCETON’S IN THE MIX: Anything for the Kids
Toronto International Film Festival 2024: Writer Blessing Uzzi And Director Afolabi Olalekan Of FREEDOM WAY
Toronto International Film Festival 2024: Director/Writer Sook-Yin Lee Of PAYING FOR IT
Toronto International Film Festival 2024: HERETIC, PRESENCE & HOLD YOUR BREATH
Toronto International Film Festival 2024: Director & Writer Samir Oliveros Of THE LUCKIEST MAN IN AMERICA
Features
All Features
Giveaways
Interviews
GREGG ARAKI’S TEEN APOCALYPSE TRILOGY Criterion Review: Three ’90s Classics, Newly Restored
This is No Game: Why READY OR NOT Still Matters
THE INSTIGATORS: Requiem for the Boston Movie
Evolving Beauty Standards: How Cinema Reflects and Shapes Body Image Over Decades
ENTER FOR A CHANCE TO WIN THE DEPARTED DIGITAL MOVIE!
ENTER FOR A CHANCE TO WIN A CONTAGION DIGITAL MOVIE!
Win A Free Copy of THE HOLDOVERS on Collector’s Blu-Ray
ENTER FOR A CHANCE TO WIN NATIONAL LAMPOON’S CHRISTMAS VACATION, THE POLAR EXPRESS, AND A CHRISTMAS STORY DIGITAL MOVIES!
Toronto International Film Festival 2024: Writer Blessing Uzzi And Director Afolabi Olalekan Of FREEDOM WAY
Toronto International Film Festival 2024: Director/Writer Sook-Yin Lee Of PAYING FOR IT
Toronto International Film Festival 2024: Director & Writer Samir Oliveros Of THE LUCKIEST MAN IN AMERICA
Toronto International Film Festival 2024: Director Edward Berger Of CONCLAVE
Columns
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Bollywood Inquiry
Fantasy Science
Queerly Ever After
Staff Inquiry
Video Dispatches
Horrific Inquiry: FRIDAY THE 13TH PART II
Away from the Hype: STAR WARS: EPISODE I – THE PHANTOM MENANCE
Horrific Inquiry: TRAIN TO BUSAN (2016)
Horrific Inquiry: THE OMEN (1976)
Resources
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Actor Profiles
Beginner’s Guides
Film History
Film Theory
Hong Kong Action Cinema
How To Analyse Movies
Maria Giese VS Hollywood
RETROSPECTIVE: KOREAN CINEMA’S GOLDEN DECADE: THE 1960s
The Beginner’s Guide: Scott Alexander & Larry Karaszewski, Screenwriters
Actor Profile: Kirsten Dunst
Actor Profile: Jim Carrey
Actor Profile: Kirsten Dunst
Actor Profile: Jim Carrey
Actor Profile: Tim Curry
Actor Profile: Nicolas Cage
The Beginner’s Guide: Scott Alexander & Larry Karaszewski, Screenwriters
A Beginner’s Guide to National Cinema Theory
The Beginner’s Guide: John Singleton
Beginner’s Guide: George Miller, Writer & Director
RETROSPECTIVE: KOREAN CINEMA’S GOLDEN DECADE: THE 1960s
The Joker’s Smile, Part 3: The Final Joke (For Now…)
The Joker’s Smile, Part 1: The 20th Century’s Most Adaptable Character
Louis Le Prince: The Unsolved Disappearance Of The Father Of Cinema
A Beginner’s Guide to National Cinema Theory
Critiquing The Critic: The Evolution & Function Of Film Criticism
Anarchic Cinema: Jean Vigo’s ZERO FOR CONDUCT
Anarchic Cinema: V-Cinema & Takashi Miike
The History of Hong Kong Action Cinema Pt. 7 – 2000-Present: Life After the Handover
The History of Hong Kong Action Cinema Pt. 6 – 1980-2000: Handover & Second Wave
The History of Hong Kong Action Pt. 5 – 1980: New Wave, Cinema City, Jackie Chan & John Woo
The History of Hong Kong Action Cinema Pt. 4 – 1960-1980: New Wave
How to Analyse Movies #8: Putting It Into Practice
How to Analyse Movies #7: Iconography & Realisticness
How to Analyse Movies #6: Story & Genre
How to Analyse Movies #5: Lighting, Sound & Score
The EEOC Gender Probe: I Don’t Regret Starting the Fight
MPAA, Studios Fund 12-Step Programs For Women Directors (PARODY)
Weinstein Scandal Should Affect The Outcome Of The EEOC Hollywood Probe (THR Guest Column)
A Surprisingly Simple Solution For Women Directors
TV
All TV
Episode Reviews
Season Review
SUNNY: Apple’s Promising Kyoto-Set Dark Comedy Brings Mixed Feelings
THE PENGUIN TRAILER 1
Slamdance 2024: RESTORAGE
The Coroner’s Assistant, “The Interview/The Inquest:” A Deathly Comic Debut
Slamdance 2024: RESTORAGE
The Coroner’s Assistant, “The Interview/The Inquest:” A Deathly Comic Debut
SHADOW AND BONE SEASON 2: Shaky Start Folds To Solid Finish
THE LAST OF US Season 1 Episodes 2-5: Whoa, We’re Halfway There
SUNNY: Apple’s Promising Kyoto-Set Dark Comedy Brings Mixed Feelings
OUR FLAG MEANS DEATH Season 2: Ship Just Got Real
GOOD OMENS Season Two: A Gorgeously Miraculous Second Act
THE FALL OF THE HOUSE OF USHER: Flanagan Does It Again
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Home
Film Reviews
All Reviews
Short Film Reviews
Film Festival Coverage
CHARLIE TANGO: A Turbulent Thriller
TUESDAY: We Need More Original Films Like This
KINDS OF KINDNESS: Three Short Films In A Trench Coat
Toronto International Film Festival 2024: HERETIC, PRESENCE & HOLD YOUR BREATH
One For the Road: A Bite-Sized Horror
HOW I ROLL: Hits the Gas on Heart
YOU ARE HERE: Comedy in a Cosmic Revelation
PRINCETON’S IN THE MIX: Anything for the Kids
Toronto International Film Festival 2024: Writer Blessing Uzzi And Director Afolabi Olalekan Of FREEDOM WAY
Toronto International Film Festival 2024: Director/Writer Sook-Yin Lee Of PAYING FOR IT
Toronto International Film Festival 2024: HERETIC, PRESENCE & HOLD YOUR BREATH
Toronto International Film Festival 2024: Director & Writer Samir Oliveros Of THE LUCKIEST MAN IN AMERICA
Features
All Features
Giveaways
Interviews
GREGG ARAKI’S TEEN APOCALYPSE TRILOGY Criterion Review: Three ’90s Classics, Newly Restored
This is No Game: Why READY OR NOT Still Matters
THE INSTIGATORS: Requiem for the Boston Movie
Evolving Beauty Standards: How Cinema Reflects and Shapes Body Image Over Decades
ENTER FOR A CHANCE TO WIN THE DEPARTED DIGITAL MOVIE!
ENTER FOR A CHANCE TO WIN A CONTAGION DIGITAL MOVIE!
Win A Free Copy of THE HOLDOVERS on Collector’s Blu-Ray
ENTER FOR A CHANCE TO WIN NATIONAL LAMPOON’S CHRISTMAS VACATION, THE POLAR EXPRESS, AND A CHRISTMAS STORY DIGITAL MOVIES!
Toronto International Film Festival 2024: Writer Blessing Uzzi And Director Afolabi Olalekan Of FREEDOM WAY
Toronto International Film Festival 2024: Director/Writer Sook-Yin Lee Of PAYING FOR IT
Toronto International Film Festival 2024: Director & Writer Samir Oliveros Of THE LUCKIEST MAN IN AMERICA
Toronto International Film Festival 2024: Director Edward Berger Of CONCLAVE
Columns
All Columns
Bollywood Inquiry
Fantasy Science
Queerly Ever After
Staff Inquiry
Video Dispatches
Horrific Inquiry: FRIDAY THE 13TH PART II
Away from the Hype: STAR WARS: EPISODE I – THE PHANTOM MENANCE
Horrific Inquiry: TRAIN TO BUSAN (2016)
Horrific Inquiry: THE OMEN (1976)
Resources
All Resources
Actor Profiles
Beginner’s Guides
Film History
Film Theory
Hong Kong Action Cinema
How To Analyse Movies
Maria Giese VS Hollywood
RETROSPECTIVE: KOREAN CINEMA’S GOLDEN DECADE: THE 1960s
The Beginner’s Guide: Scott Alexander & Larry Karaszewski, Screenwriters
Actor Profile: Kirsten Dunst
Actor Profile: Jim Carrey
Actor Profile: Kirsten Dunst
Actor Profile: Jim Carrey
Actor Profile: Tim Curry
Actor Profile: Nicolas Cage
The Beginner’s Guide: Scott Alexander & Larry Karaszewski, Screenwriters
A Beginner’s Guide to National Cinema Theory
The Beginner’s Guide: John Singleton
Beginner’s Guide: George Miller, Writer & Director
RETROSPECTIVE: KOREAN CINEMA’S GOLDEN DECADE: THE 1960s
The Joker’s Smile, Part 3: The Final Joke (For Now…)
The Joker’s Smile, Part 1: The 20th Century’s Most Adaptable Character
Louis Le Prince: The Unsolved Disappearance Of The Father Of Cinema
A Beginner’s Guide to National Cinema Theory
Critiquing The Critic: The Evolution & Function Of Film Criticism
Anarchic Cinema: Jean Vigo’s ZERO FOR CONDUCT
Anarchic Cinema: V-Cinema & Takashi Miike
The History of Hong Kong Action Cinema Pt. 7 – 2000-Present: Life After the Handover
The History of Hong Kong Action Cinema Pt. 6 – 1980-2000: Handover & Second Wave
The History of Hong Kong Action Pt. 5 – 1980: New Wave, Cinema City, Jackie Chan & John Woo
The History of Hong Kong Action Cinema Pt. 4 – 1960-1980: New Wave
How to Analyse Movies #8: Putting It Into Practice
How to Analyse Movies #7: Iconography & Realisticness
How to Analyse Movies #6: Story & Genre
How to Analyse Movies #5: Lighting, Sound & Score
The EEOC Gender Probe: I Don’t Regret Starting the Fight
MPAA, Studios Fund 12-Step Programs For Women Directors (PARODY)
Weinstein Scandal Should Affect The Outcome Of The EEOC Hollywood Probe (THR Guest Column)
A Surprisingly Simple Solution For Women Directors
TV
All TV
Episode Reviews
Season Review
SUNNY: Apple’s Promising Kyoto-Set Dark Comedy Brings Mixed Feelings
THE PENGUIN TRAILER 1
Slamdance 2024: RESTORAGE
The Coroner’s Assistant, “The Interview/The Inquest:” A Deathly Comic Debut
Slamdance 2024: RESTORAGE
The Coroner’s Assistant, “The Interview/The Inquest:” A Deathly Comic Debut
SHADOW AND BONE SEASON 2: Shaky Start Folds To Solid Finish
THE LAST OF US Season 1 Episodes 2-5: Whoa, We’re Halfway There
SUNNY: Apple’s Promising Kyoto-Set Dark Comedy Brings Mixed Feelings
OUR FLAG MEANS DEATH Season 2: Ship Just Got Real
GOOD OMENS Season Two: A Gorgeously Miraculous Second Act
THE FALL OF THE HOUSE OF USHER: Flanagan Does It Again
Trailers
Store
ISA
Follow
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Twitter
You currently have access to a subset of Twitter API v2 endpoints and limited v1.1 endpoints (e.g. media post, oauth) only. If you need access to this endpoint, you may need a different access level. You can learn more here: https://developer.twitter.com/en/portal/product
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Xingchen Lyu
Slamdance Film Festival 2022: WE ARE LIVING THINGS: Less Sci-fi, More Heart
We are Living Things crafts something beautiful, even when it’s hard to adjust to.
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