writer
We spoke with Harry Greenberger about his directorial debut Staring At the Sun, the film’s festival run, and what he has planned next!
With mainstream recognition on the horizon, we take a look back at indie writer-director Alex Ross Perry’s eclectic film history so far.
One of the grand allures of cinema is its ability to transport us to different…
We spoke with Katherine Propper, writer/director of the short film Street Flame, which premiered at Tribeca 2019.
We were able to talk about Damon Gameau, director of the upcoming documentary about climate change called 2040.
We were able to speak with Monique Sorgen, writer and director of the independent short film Sorry Not Sorry.
There’s a refreshing nature in Wild Nights With Emily to how Madeleine Olnek gives Dickinson a certain dignity while embracing her truths that were buried in her work.
John Stanford Owen spoke with Eric Freeman, star of Silent Night Deadly Night, about the film’s cult following, a meme sensation and his latest script.
Too weird for 1950’s Hollywood, director, writer and actor Ed Wood used the medium of film to tell the kind of stories he wanted to tell.
We analyze the short films of Don Hertzfeldt, which though seemingly simple, actually have quite a lot to say.
We were able to talk with Yen Tan, writer and director of the 1980s-set drama about AIDs called 1985.
We were able to speak with Laure de Clermont-Tonnerre, co-writer and director of the upcoming drama The Mustang, starring Matthias Schoenaerts.
We spoke with Miranda Tapsell, star and co-writer of the Australian romantic comedy Top End Wedding.
Throughout Charlie Kaufman’s stellar career, he’s analysed ideas and worries that every audience member will be familiar with.
We spoke with David Ian McKendry, director of All the Creatures Were Stirring, about why the genres of Christmas and horror work so well together.