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Erin Vassilopoulos spoke with Film Inquiry about her film Superior during its premiere at Sundance Film Festival 2021.
For May & Nichols savants, as well as the newly initiated, this will propagate their legacies, giving us a deeper look into their individual outlooks.
Jim Dixon spoke with director Ansel Faraj about his film Loon Lake, blaspheming, and burning down the church in the rain.
Frances Maurer had the opportunity to speak with writers David Bly and Leah Rudick, who also star,about their new film Sweet Parents.
Cindy Sibilsky interviews actress Juliet Landau for A Place Among the Dead, her feature film directorial debut.
Reyzando Nawara had the opportunity to speak with Cooper Raiff about his movie Shithouse, the painful yet realistic part of the college experience, and more!
By analysing the different ways that True Romance could’ve been structured, we can clearly see the stylistic differences between two filmmakers.
The films of John Singleton have provided thought-provoking stories, honest characters, and imagery that lingers well past each viewing.
Few directors have a filmography as unique as George Miller, who has the power to create moments that’ll be ingrained in your mind forever.
We go through the career of Alex Garland, and how his films often follow a similar theme of focusing on dystopian worlds.
We investigate how South Korean director Bong Joon-ho conquer the barrier of spoken language through cinematic language.
Wilson Kwong spoke with Sally Potter during Berlinale back in February, about her new film The Roads Not Taken and the personal life events that inspired its story.
Philophobia is a film where words are meant to have stories unto their own with connotations and nuggets of meaning buried within.
Writer, producer and director Nicola Rose spoke to Stephanie Archer about her new shorts, Gabrielle and Into the Land of Moonstones.