World War II
In This Corner of the World is a beautifully captured and quietly tragic animation, which succeeds due to how it captures the sadness underneath the mundanity of life in a war-torn country.
With impeccable direction, engaging dialogue, consummate costume and makeup, and one of the best performances ever to grace the silver screen by Oldman, Darkest Hour is an overwhelming achievement.
Mudbound is a gorgeous and affecting film, regarding themes of racism and the after effects of war in 1950s Mississippi.
Rebel in the Rye is interesting when looked at from a writer’s perspective, but unfortunately doesn’t work as a cohesive biopic.
Red Trees is a poignant look at the Holocaust through the eyes of a survivor; we also spoke with director Marina Willer.
The documentary The Apology tells the story of three Asian women whose lives have been turned upside down by the trauma of sexual slavery.
Christopher Nolan’s terrific anti-war film divorces itself from any political interpretations to bluntly show the horrors that unfolded at Dunkirk during World War II.
There isn’t a single original narrative element in this inspirational drama- but the insight into post-WWII Estonian life is fascinating.
With poorly constructed flaws, Churchill isn’t an overly powerful reinvention of the traditional biopic film.
Stefan Zweig: Farewell To Europe is a fine display of craftsmanship, but it’s far too infatuated with its own beauty to engage on the level to which it aspires.
A remake of the Ealing classic, Whisky Galore! has its share of laughs, but its hard to tell just who or for what purpose the film serves.
Despite bringing to life some previously unseen perspectives on the holocaust, The Zookeeper’s Wife is far from faultless.
This World War ll film is entertaining, though unfortunately Their Finest doesn’t really impress as it should.
The next in our Sculptures in Time series about Andrei Tarkovsky’s films is The Mirror, a film very autobiographical and surreal in nature.