Woody Harrelson
Common Ground is deeply impactful, becoming the vital eye opening documentary it needs to be.
On some level, it feels like a cinematic equivalent of the anti-establishment political cartoons that were once so pervasive in cultural discourse.
A cruise for the super-rich sinks, leaving survivors, including a fashion model celebrity couple, trapped on an island.
After she’s irreversibly poisoned, a ruthless criminal operative has less than 24 hours to exact revenge on her enemies.
Over a year after the events of Venom (2018), investigative journalist Eddie Brock struggles to adjust to life as the host of the alien symbiote Venom.
Between bad dialogue, acting that feels as undeveloped as the characters, and an unfocused story, it’s no wonder Midway feels like a drag.
Zombieland: Double Tap is a funny, but unnecessary sequel to the 2009 zom-com from Ruben Fleischer. Maria Lattila reviews.
Columbus, Tallahasse, Wichita, and Little Rock move to the American heartland as they face off against evolved zombies, fellow survivors, and the growing pains of the snarky makeshift family.
If you look past The Highwaymen’s initial slow burn, you’ll at least find solace in its performances and devestating ending.
The Highwaymen is a well-intentioned Western drama that takes a new perspective on the Bonnie & Clyde mythology, but it needs another run at tightening the runtime.
In The Highwaymen, a pair of police officers come out of retirement to catch the infamous outlaws Bonnie & Clyde.
Too heavy in its fan service at times, Solo: A Star Wars Story is not a terrible Star Wars entry, with enough fun moments to please.
Three Billboards Outside Ebbing, Missouri is a funny yet brutal film, presenting complex quandaries of grief, violence, and rage.
Despite a talented cast and crew, The Glass Castle ultimately fails as an adaptation of the famous memoir due to some questionable decisions.
War for the Planet of the Apes is a must-see, visually stunning achievement and a satisfying addition to the series.