Willem Dafoe
Art is inseparable from death. This is one of the main conclusions of Abel Ferrara’s meditation on the always controversial Pier Paolo Pasolini.
Carried by the weight of Willem Dafoe’s performance, At Eternity’s Gate is not a bad film, but it is not an outstanding one either.
In Vox Lux, an unusual set of circumstances brings unexpected success to a pop star.
At Eternity’s Gate presents a look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.
Though containing some elegant set design and impressive cinematography, Murder on the Orient Express can’t quite intrigue you to the potential that it could’ve, due to underdeveloped characters and an anticlimactic final reveal.
The Florida Project offers a unique and essential glimpse into contemporary poverty in America, encompassing both its wonders and hardships.
While full of plot holes and shakes characters, What Happened to Monday is still a weird, yet perfect movie for a night in.
Death Note has plenty of faults, but watched with the brain firmly in the “off” position, it becomes easy to enjoy – especially as it manages to feel more cartoonish than the anime it’s based on.
Gerard Butler’s attempts to shake off his action hero image in A Family Man are commendable, but he is miscast in this saccharine drama.
Everything about The Great Wall should be fun and goofy, but it takes itself too seriously to be enjoyed for its silliness.
If you are looking for a pleasurable and visual exciting crime thriller from a cinematic legend, you should definitely give Dog Eat Dog a try.