widow
Room For Rent is like the world’s worst filled donut; doughy and undercooked until you get to the sweet, jam-filled middle middle that is Lin Shaye and it’s all worth it again.
Director Isabel Coixet tries to adapt The Bookshop’s source material in its entirety – and it feels incoherent told as a narrative feature.
Our Souls at Night an important reminder that there are still plenty of stories worth telling in the twilight years of one’s life.