western
Good Ol Girl succeeds in bringing attention where attention is due, and providing an understanding to the changes Texas ranchers must embrace if they are to survive.
With a better script and more action, Badland could have been a modern-day cowboy flick worth the near two hour run time.
Deadwood: The Movie is a remarkable achievement, bringing us back to the town and characters we love and providing what we needed all this time: closure.
Every week we take a look at the latest home video releases. This week: Ikarie XB 1 (1963), Melvin and Howard (1980) and The Grand Duel (1972).
Westerns are brilliant because, like all great genres, they possess a wealth of contrast; while…
DaCosta makes a promising debut with Little Woods, showing an ambitious thematic depth while keeping the story affectingly small.
The Wind reverberates with an eerie tone, and though occasionally uneven, there is enough here to ultimately recommend it, especially for fans of Westerns or horror.
If you look past The Highwaymen’s initial slow burn, you’ll at least find solace in its performances and devestating ending.
The Highwaymen is a well-intentioned Western drama that takes a new perspective on the Bonnie & Clyde mythology, but it needs another run at tightening the runtime.
The Kid, directed by Vincent D’Onofrio and written by Andrew Lanham, is a take on…
Fire on the Hill is an inspiring journey of building, rebuilding and reinforcing a community for the black community in Compton, away from the notorious factions that gave the city a dark reputation.
Film Inquiry’s Samantha Celentano talked to Yoshi Sudarso about Buffalo Boys, and the rarity of seeing Asian-American cowboys on the big screen.
With Buffalo Boys, Wiluan succeeds in his mission of taking an important piece of his people’s history and rendering it into an entertaining film with international appeal.