war
The documentary The Apology tells the story of three Asian women whose lives have been turned upside down by the trauma of sexual slavery.
25 years later, director Penny Marshall’s A League Of Their Own remains that rare thing: a sports movie with female characters to look up to.
With its timely statement about diversity in America, the bland and boring Bushwick fails to meet expectations.
While much of Wonder Woman was a success, the last ten minutes of the film became a lost opportunity for stronger and deeper meaning.
6 Days is a mostly well-made film based on true events, but its similarity to our current political climate makes it an uncomfortable watch.
Talya Lavie’s Zero Motivation is simultaneously funny, serious, sentimental, sarcastic, slapstick, and totally unique.
In the summer films War for the Planet of the Apes, Wonder Woman, and Dunkirk, the serious subject of war is pandered down to its audience.
Christopher Nolan’s terrific anti-war film divorces itself from any political interpretations to bluntly show the horrors that unfolded at Dunkirk during World War II.
There isn’t a single original narrative element in this inspirational drama- but the insight into post-WWII Estonian life is fascinating.
Abraham Lincoln: Vampire Hunter shocks and surprises as it makes you think twice about Lincoln’s true identity.
With poorly constructed flaws, Churchill isn’t an overly powerful reinvention of the traditional biopic film.
This insightful, genre bending thriller shouldn’t slip under the radar- it should transform Victor Almanzar to an in-demand screen presence.
In the second of a series for 2017, we take a run-down through the box office potential of several high-profile summer movies.
Megan Leavey’s delivers a good story, almost making up for its lack of focus and unwillingness to commit to its main storyline.