war
The King may not be Michôd’s best by any means, but with strong performances and cinematography, it’s a strong effort nonetheless.
Through a woman’s point of view and an unconventional definition of politics, For Sama proves more powerful and significant than many of its peers.
The Oscar-nominated Never Look Away shows signs of promise, but is let down by an epic scale that is never justified. Alistair Ryder reviews.
For all of the accusations thrown around in The Reports on Sarah and Saleem, nobody can accuse this Palestinian drama of being melodramatic.
Francis Ford Coppola’s Apocalypse Now, was the movie no one wanted to make. 40 years later we helped celebrate his masterpiece at the Tribeca Film Festival.
Begging to be experienced, discussed, and remembered, Mosul follows a former CIA counter-terrorism officer documenting a journalist in war-torn Iraq.
Straight from Tribeca 2019, Kristy Strouse reviews Two/One, A Day in The Life of America, The Kill Team and spoke the cast and director on the red carpet.
The tension between musical and war drama at times overwhelms the picture – but god, even when it’s a failure, Swing Kids is entertaining as hell.
We delve into Pawlikowski’s unique grasp of time as it relates to the central romance in his film Cold War.
Donbass is the darkest of comedies, showing how wartime mania can fundamentally transform a nation overnight.
Nemes’ masterpiece Sunset ruminates on the cyclical ignorance of humanity to blistering effect, eliding our past faults, our present negligence and our future turmoil.
Where Hands Touch is a disappointing and sketchy depiction of a tragic romance during one of history’s darkest periods.
The film’s attempts at multiple genres may not blend together, but the talented cast and direction by Chandor help raise it above its flaws.
While groundbreaking or original, The Aftermath is worth seeing for the enticing performances and striking ambience that it establishes.
The Man Who Killed Hitler and Then the Bigfoot is not the B-movie you’d expect, but it is an emotionally engaging and gripping film nonetheless.