war
Merry Christmas, Mr. Lawrence is a beautiful film, and despite its grim subject matter, there is an underlying sense of warmth to it.
Combined with Vaughn’s ability, there’s a genuine surprise to this entry that may make this the best of the series.
Out of the countless productions of The Scottish Play that exist, Coen definitely brings something new to the table.
For a franchise that has been around for 40 years, Mobile Suit Gundam: Hathaway emerges as one of the best films in the Gundam universe.
The new Criterion release allows the viewer to appreciate everything Kobayashi’s towering masterwork has to offer at an even greater level.
The Underground Railroad is so much different than anything Jenkins has ever worked on before; it’s grander and more ambitious, it plays with magical realism to a brilliant result
Dishonored may not be the most entertaining film in the von Sternberg-Dietrich cycle, but it is the most thoughtful and stealthily affecting.
Blizzard of Souls is a movie made up of things a good movie is normally made up of, but with no comprehensive thread to connect them.
Larisa Shepitko’s 1977 film The Ascent is virtually flawless, both Blu-Ray and film, on all fronts and comes highly recommended.
While far from perfect, Mosul is an effective look into a country ravaged by war and constantly searching for hope.
Hannibal Rising poses the question about what kinds of monsters we make of ourselves by settling for the aesthetics of political virtue.
For his second report from the New York Film Festival, Soham Gadre covers six more diverse films.
Anchored by a strong performance from Chloë Grace Moretz, Shadow in the Cloud is a ferociously entertaining thrill ride.
With Erik Nelson’s most recent documentary, Apocalypse ’45 is both a commemoration and an elegy that refuses to choose sides.
Japanese master filmmaker Nobuhiko Obayashi’s final movie Labyrinth of Cinema is a love-song to movies and a reckoning with Japanese history.