Walt Disney Studios Motion Pictures
Maleficent: Mistress of Magic is a movie that feels at war with itself, but when the right side breaks through, it can be something beautiful, like the film that came before.
Come for the car races in Ford v Ferrari, and some fine performances by Matt Damon and Christian Bale, but don’t expect to take too much away from it.
Predictable to a fault, Ready or Not is still engaging, edge-of-your seat entertainment that brings just enough gore coupled with humor.
The Art of Racing in the Rain tells us straight up that it’s made from the type of stuff that is designed in a lab to draw tears and whimpers.
For those looking for a film that both acts as a tribute to its roots while never straying from the course it’s set off on, see The Lion King with an open mind.
With audiences expectations through the roof, Dark Phoenix’s climatic conclusion is a forgettable blockbuster.
While Aladdin is a fairly harmless film, it adds very little to the original and seems like just another cash grab from Disney.
In a world where penguin movies are multiplying, it’s nice to see a penguin march to the beat of his own drum in Penguins.
Love it or hate it, Captain Marvel gives an empowering ethos, secured with a talented cast that makes this movie-going experience on par with previous entries.
Mary Poppins Returns is the uninspired cash-in Disney have become synonymous with, posessing none of the endearing strangeness of the 1964 original.
Whereas kids might dismiss Ralph Breaks the Internet’s flaws for an uplifting swirl of inconsequential sugary adventure, adults might be hard-pressed in their quest to find nutritional value.
The most frustrating thing about The Nutcracker and the Four Realms is it’s not a terrible movie – just a movie that’s never interesting, magical, or perilous.
Christopher Robin offers visual wonder, even if its storyline suggests you may have needed to experience adulthood to truly appreciate it.