Walt Disney Studios Motion Pictures
I’d like to begin this review by stating that, for the record, I am anti-puppet.…
CRATER, a sci-fi kids’ movie that was scrubbed from Disney+, wastes the talents of its young cast, especially Mckenna Grace.
Dazzling and wondrous, The Little Mermaid makes a solid transition to become a part of Disney’s live-action world of remakes.
Lightyear may not offer the same emotional depth or richness as other Pixar titles, but it knows it never needed to be that.
A look into the widening berth of genres within the Marvel Cinematic Universe and why deviating from the same-old superhero movie is best.
Turning Red, the latest film by Pixar Animation Studios, is a total blast – a heartwarming treat for the whole family.
While flawed, Chloe Zhao’s Eternals features the Marvel Cinematic Universe’s most emotionally satisfying story since Black Panther.
As the first Marvel movie to be released after Avengers: Endgame, Cate Shortland’s Black Widow stars Scarlett Johansson as Natasha Romanoff.
Ultimately, it is better to take the glorification of a powerful figure with a grain of salt, rather than a spoonful of sugar.
It’s Onward and downwards for Pixar, as their Dungeons and Dragons inspired latest is one of their most disposable efforts to date.
Togo’s fine, grainy exhibition of the Alaskan atmosphere is often breathtaking, yet its release through streaming may have sacrificed its beauty.
It’s hard to predict how The Rise of Skywalker will age once the initial shock wears off, but if anything this is a reminder to support independent filmmakers and those willing to challenge the status quo.
When looking at the two most recent of Pixar’s underwhelming sequels, both unquestionably fueled on the nostalgia of its now-grown paying audience, there’s only one clear winner in this fight.
Frozen 2 is a perfectly fine sequel. It features gorgeous animation, but the story lacks the magic of the first one. Maria Lattila reviews.
Ready or Not heralds the arrival of a fantastic talent in Samara Weaving, as well as directors Matt Bettinelli-Olpin and Tyler Gillett.