Vittorio De Sica
It is in this moment of burning worlds and a fading hope in humanity that cinema offers its hand. When the most empathetic of mediums loses its patience, it may be time to watch and listen.
Dogman stands as a uniquely moving viewing experience, reinvigorating a film movement that otherwise might seem obsolete or outdated.
Italian-American filmmaker Jonas Carpignano has shown in only his second feature, A Ciambra, to be one of the most empathetic social realist filmmakers working today.
From the biting neorealism of Visconti and De Sica to the gory giallo of Argento, the storied history of Italian cinema is truly compelling.