violence
With his hundredth film, director Takashi Miike shows no signs of slowing down, with another fantastic, blood-soaked cinematic treat.
Three Billboards Outside Ebbing, Missouri is a funny yet brutal film, presenting complex quandaries of grief, violence, and rage.
In a time where footage of police assault and murder is a regular occurrence, we…
Sweet Virginia is a gripping, atmospheric movie, with stellar acting and a characterful script who’s only fault is it is not long enough.
Suburbicon is a somewhat effective thriller that unfortunately squanders its potential at being a deeper film about racial tension.
Taxi Driver is a complex film in the way it presents a relatable character and then shows the increasingly erratic choices that he makes.
Despite some flaws, Suburbicon is still a riot of a good time, poking fun at the inherent obscurity of the American Dream in a unique way.
Brimstone had potential, but it is bogged down by its length and a desire to show an excessive amount of gratuitous violence against women.
Rob Zombie is one of the more well-known B-horror filmmakers working today, his films a glorification of campy fun and violence.
It’s not one of the horror greats that many people make it out to be, but Saw is crafty and ambitious enough to warrant a horror buff’s time.
The characters in her films don’t say much, but Claire Denis still manages to create worlds where communication arrives in other forms.
Martin Scorsese’s career so far spans five decades – which films of his should you start exploring first? This is an in-depth guide to his amazing work!
James Gunn has made a name for himself for his gloriously offensive yet emotionally poignant films; here is a rundown of his filmography.
Not all the jokes in Fist Fight land, but the film still works surprisingly well as a satirical exploration of the American education system.
Reservoir Dogs, though seemingly a time capsule due to having premiered 25 years ago, is actually quite potent in today’s post-truth world.