violence
The Devil All the Time is disturbing and unrelenting in its catharsis and its portrayal of the cycles of violence.
Déa Kulumbegashvili’s Beginning is guaranteed to linger uncomfortably in the back of your mind long after the end credits have rolled.
In a world that seems to be leaning more to authoritarian power and rule, we need documentaries such as The Monopoly of Violence.
While reluctant to dive deeper into the effects of violence in the media, Random Acts of Violence offers plenty of fun to make it unmissable.
Closeness is an intriguing debut film that is marred by one incredibly bad choice on the part of its director.
Violence is key to the narrative of Grosse Pointe Blank, and it forces Martin Blank to contend with who he was and who he has become.
The Soska Sisters film Rabid honors the basic premise of David Cronenberg’s original while meticulously crafting an identify of its own.
It’s possible that the great Pauline Kael might have liked Joker – Chris Cassingham compares it to another controversially violent film, Bonnie & Clyde.
Random Acts of Violence forces the audience to confront their own enjoyment at watching others’ pain
Dark Suns is utterly vital and haunting, chronicling a staggering history of crime and injustice that needs urgent attention from any higher-up with a conscience.
With only six episodes left before the series finale, Game of Thrones fans better be prepared for a harrowing ride.
Female Human Animal is a unique experiment into pushing the boundaries of what is considered to be fact or fiction.
The Amityville Murders is a film that should be avoided at all costs. It doesn’t succeed as a horror film, nor as a supernatural thriller.
Despite its eclectic performances, The Vanishing is a snail-paced buildup to real action and suspense that doesn’t have enough substance to give the narrative some weight.
In this Beginner’s Guide we dive into the works of South Korean director Park Chan-wook, who is best known for his excessive and notorious use of extreme violence.