Vincent D’Onofrio
Household Saints is a strange yet satisfying brew of family drama and spiritual contemplation that deserves the broader audience it has been denied.
Tammy Faye Bakker and her husband, Jim, rise from humble beginnings to create the world’s largest religious broadcasting network and theme park.
The Kid, directed by Vincent D’Onofrio and written by Andrew Lanham, is a take on…
The Kid tells the story of a young boy who witnesses Billy the Kid’s encounter with Sheriff Pat Garrett.
Daredevil is still the stunner of Hell’s Kitchen, and of the Netflix Marvel world, with an adept season three that goes back to its roots, but also grows from them.
Death Wish is a victim of poor timing due to current public sentiment in regards to guns and violence, but its generic revenge story and wasted cast don’t much help matters either.
Wasted characters, little humor, and lackluster action scenes make CHiPs a rather bland adaptation of the famous TV series.
Rings is a film that falls flat on its face, failing to capture the raw and understated tension in the original American remake.
Two decades after the original Jurassic Park became the most successful film of all time at that point and ushered in the era of CGI, the blockbuster cinema landscape is very different. With Marvel Cinematic Universe, franchises six or seven sequels deep, and young-adult dystopias dominating the big releases more and more every year, original screenplays or adaptations of adult-oriented novels are struggling to make an impact – it is inconceivable that Steven Spielberg’s classic could have been released today with anything near the same level of success as in 1993. And so while the original film has a devoted fan base, few would have thought there was that much demand for a new Jurassic Park film, especially after its two increasingly inferior sequels.