Universal Pictures
We live in a divided society, and the only thing that can bring humanity together is watching (and laughing at) Tom Hooper’s feline romp.
Black Christmas is angry, terrifying, empowering even – all that surrounded with the threatening notes of holiday songs playing in the background and a stalker out to get you.
Violence dehumanizes in many ways. It can do so overtly, presenting you with situations that…
Overall, Downton Abbey’s worth as a film depends on your feelings towards the original show.
Driven is a film that, despite a unique structure and talented cast, doesn’t feel as inventive as it sets out to be.
It’s absurd and outrageous, and although sometimes that doesn’t work in favor of the jokes, Good Boys triumphs as a sweet coming-of-age story.
In this week’s Video Dispatches, we cover the home video releases of Ma (2019), The Reflecting Skin (1990) and Wagon Master (1950).
Overlong, overblown, and painfully unfunny at times, Hobbs & Shaw is a misguided endeavor that struggles to offer a sense of fun.
Palm Beach lacks a sense of purpose – that despite it brimming with a number of winning personalities, its just a shame that the film they’re in lacks one itself.
Delirium is interesting enough to warrant our attention, but ultimately the route to the big “reveal” veers off course.
While Yesterday isn’t perfect, it’s the lighthearted, fun, summer movie that we need right now.
The Secret Life of Pets 2 is fine enough sequel, but never really explores all its potential. Debbie Lawrie reviews.
With abundant humor and a gruesome ending, Ma is a knowingly silly horror film that allows Octavia Spencer to revel in the grime.
Do you like dogs? Then you might like A Dog’s Journey, the latest puppy compilation turned corn-syrup narrative released by Universal Pictures.
Top End Wedding is filled with all the romcom tropes and cliches you expect, but Wayne Blair’s film manages to sell this spin on the formula.