United States
With virtually no plot and very little character development, Tyrel works best as an examination of masculinity and race.
Shazam! is a walk-off grand slam in extra innings, feeling like a statement from a studio and director working so hard to finally get it all right.
Flay boasts an intriguing and unique horror concept, but is let down by a lack of depth to its characterisation.
The Public is an amusing and eccentric film that provides a candid look at humanity, a powerful reminder to be kind and put our biases aside.
Green Book and BlacKkKlansman both deal with race relations in America. We discuss why they may both be problematic in their discussions of race.
Hearts of Glass is a wonderful documentary that focuses both on food production and people with disabilities, housed within a tiny slice of America.
Wonder Park should be fine family viewing, but it is lacking in terms of storytelling and the world building design.
With every passing detail, We are Columbine sinks deeper and deeper into your soul, a piece of it sticking with you when the film has ended.
Finding Steve McQueen is an unfortunately dull heist film, bogged down by unnecessary subplots and a lack of overall energy.
The teen melodrama may still be alive, but Five Feet Apart, the latest tragic YA romance, proves that it’s far from thriving.
Even as it skims too lightly over its complex themes, A Vigilante manages to capture a resilience and toughness that often goes unhailed on film.
Pet Sematary, in this critic’s opinion, is a constant battle between excessive production and exceptional performances.
In the age of toxic masculinity at its most unbearably malignant, Fight Club is still an effective parody of the spread of hate between generations.
Dumbo is exhausted and erroneous, less concerned with a magical setting and more concerned with a macabre art-deco style.
Out of Blue can’t be faulted for its ambitions, but there’s a lack of focus, oscillating wildly between genres and never satisfying as any.