United States
Aside from a few misleading statements, the Suicide: The Ripple Effect is someone’s personal, real story and the journey of reclaiming his life.
Netflix documentary The Bleeding Edge explores the issues surrounding the medical advances in providing healthcare.
Cannon Films attempted to get into the animation market in 1986 – and the result was a hated film that remains out of print to this day.
An absolutely incredible film, The Garden Left behind deserves every single accolade it draws in and every bit of praise it receives.
DaCosta makes a promising debut with Little Woods, showing an ambitious thematic depth while keeping the story affectingly small.
Lost Child has an unquestionably compelling foundation, but it becomes too drenched in its own sentimental messaging.
The Beach Bum is a love letter to the unlikely beauty found in the gutters of Florida, the artsy stoner comedy only Harmony Korine could concoct.
Sweet, charming, and beautifully unique, Laika’s latest film Missing Link deserves only the highest praise.
Music and Lyrics might not venture too far into uncharted waters, but with some solid voices, and plenty of hummable beats, it’s a crowd-pleaser that takes it a step further with its heart.
The Burial of Kojo is an aesthetically accomplished debut for Sam Blitz Bazawule, but the narrative itself is far from perfect.
The OA Part II was better than one could have ever imagined, its ingenuity and trust in its audience, coupled by the brilliant execution of its power duo, brought the series to new heights.
Marisol is an eye opening experience for the viewer, its intensity and visual representations resonating long after the short has ended.
Though with a premise that sounds intriguing, William is a curio taken in entirely the wrong direction.
Unicorn Store, Brie Larson’s directorial debut, marks the beginning of a new chapter in the multi-hyphenate’s career.
Meme can be a brilliant thriller when it wants to be, but there is a heck of a lot of philosophising bridging those tenser moments.