United States
The story of the underdog will always be a crowd-pleaser. An unknown phoenix yearning to…
While it feels a bit unfinished and undercooked, If The Dancer Dances is a great start in unpacking everything that Merce Cunningham represented.
Although it’s not exactly faultless, Someone Great adequately captures themes of lost love and the power of friendship.
Despite its many flaws and shortcomings, The Body At Brighton Rock is enjoyable when taken as a cheap comedy with some high tension moments.
Family doesn’t break new ground in the oddball, unexpected bonding comedy space, but it masters the art with a precise wit and efficiency that keeps it feeling fresh.
Despite its Green Book-esque premise, Native Son creates a Chicago that draws the audience in with its effortlessly alternative pizzazz.
In a world where penguin movies are multiplying, it’s nice to see a penguin march to the beat of his own drum in Penguins.
The Silence is worth a watch because of Stanley Tucci alone, but if you crave a good film, just pick up a copy of A Quiet Place instead.
Hellboy is an unfortunate example of how a R-rated superhero film could go wrong. It’s violent, but to a fault, lacking humor, substance, or a compelling story to go along with it.
Aside from a few misleading statements, the Suicide: The Ripple Effect is someone’s personal, real story and the journey of reclaiming his life.
Netflix documentary The Bleeding Edge explores the issues surrounding the medical advances in providing healthcare.
Cannon Films attempted to get into the animation market in 1986 – and the result was a hated film that remains out of print to this day.
An absolutely incredible film, The Garden Left behind deserves every single accolade it draws in and every bit of praise it receives.
DaCosta makes a promising debut with Little Woods, showing an ambitious thematic depth while keeping the story affectingly small.