United States
With such an interesting true story to draw from, it’s a real shame that The Child Remains is so underwhelming.
Late Night is a funny and witty film, that boasts a stellar cast, brilliant performances and and even better writing.
With the revival of witchcraft in pop culture, now seems like the right time to look back on Practical Magic starring Sandra Bullock and Nicole Kidman.
Despite the mediocrity in storytelling, with the rapport of the leads, it’s hard not to cheer for Always Be My Maybe.
The Last Black Man In San Francisco is a deeply moving film, and probably the best film with San Francisco as its backdrop.
While Aladdin is a fairly harmless film, it adds very little to the original and seems like just another cash grab from Disney.
We look back at the history of Godzilla, starting in the 1954 Japanese film, and why the character has had a lasting impact all these years later.
Godzilla: King of the Monsters, from start to finish, is evidence that Dougherty loves Godzilla, but the action staged on-screen is far from perfect.
The hands of power have shifted and four pomegranate seeds have been gathered – we are halfway through The Spanish Princess!
Warren Beatty’s Reds may be the final prestige picture that ideologically represents New Hollywood. Read our retrospective review of the 1981 epic.
The Last Summer is a frustratingly empty addition to the coming-of-age sub-genre and might struggle to hold the attention of its intended audience.
With abundant humor and a gruesome ending, Ma is a knowingly silly horror film that allows Octavia Spencer to revel in the grime.
While The Sun Is Also A Star does its job, it falls prey to the humdrum curse of countless other romance films.
Poms might be predictable, but it makes up for it with tons of heart about this team of elderly cheerleaders. Marc Ricov reviews.
Echo in The Canyon is an ode to a time and place when the music coming out of Laurel Canyon defined the California Sound of The ’60s.