United States
We look back at the history of Godzilla, starting in the 1954 Japanese film, and why the character has had a lasting impact all these years later.
Godzilla: King of the Monsters, from start to finish, is evidence that Dougherty loves Godzilla, but the action staged on-screen is far from perfect.
The hands of power have shifted and four pomegranate seeds have been gathered – we are halfway through The Spanish Princess!
The Last Summer is a frustratingly empty addition to the coming-of-age sub-genre and might struggle to hold the attention of its intended audience.
With abundant humor and a gruesome ending, Ma is a knowingly silly horror film that allows Octavia Spencer to revel in the grime.
While The Sun Is Also A Star does its job, it falls prey to the humdrum curse of countless other romance films.
Poms might be predictable, but it makes up for it with tons of heart about this team of elderly cheerleaders. Marc Ricov reviews.
Echo in The Canyon is an ode to a time and place when the music coming out of Laurel Canyon defined the California Sound of The ’60s.
Long Time Coming is a deep heartfelt documentary displaying a world where MLB baseball was meant to reflect our society, yet proved a curious paradox.
Season 3 of Easy continues its success in telling stories bubbling over with realism – it ties up the loose ends, but leaves things complicated.
What happens to those without resources to evacuate a dying world? John Stanford Owen examines life and humanity in High Life.
Wine Country does what’s intended: there’s laughter, an abundance of touching moments, and an important contemplation on the bonds of friendships.
Though fundamentally flawed, De Palma’s latest film Domino offers fleeting glimpses of greatness that the iconic director once achieved.