United States
With audiences expectations through the roof, Dark Phoenix’s climatic conclusion is a forgettable blockbuster.
Episode 5 of The Spanish Princess ups the ante with more death, ambition and romance. Katy Kostakis reviews.
Despite the atheism and pure materialism in the world of John Wick, the bureaucracy of the High Table wields its power using the rhetoric of religion.
If Michael J. Gallagher continues to craft sharp, smart films like Funny Story, he may build his own unique place in current American indie cinema.
The Souvenir is a refreshingly honest look at first love, class and privilege and includes a great performance by Honor Swinton Byrne. Janet Lee reviews.
Frances Ferguson combines the unsettling feeling that comes from its subject with the desire to watch someone overcome the endless hatred for their life.
The allure of Jon Foreman’s approach to life can be summed up by one day documented for all posterity in the documentary 25 in 24.
The Farewell reveals Lulu Wang is a director to watch out for, but loses impact by leaving so many of the themes it wishes to explore unspoken.
The Perfection is a twisty thriller, with plenty of gore but does it make up for the absurd plot? Josh Martin reviews.
With such an interesting true story to draw from, it’s a real shame that The Child Remains is so underwhelming.
Late Night is a funny and witty film, that boasts a stellar cast, brilliant performances and and even better writing.
With the revival of witchcraft in pop culture, now seems like the right time to look back on Practical Magic starring Sandra Bullock and Nicole Kidman.
Despite the mediocrity in storytelling, with the rapport of the leads, it’s hard not to cheer for Always Be My Maybe.
The Last Black Man In San Francisco is a deeply moving film, and probably the best film with San Francisco as its backdrop.
While Aladdin is a fairly harmless film, it adds very little to the original and seems like just another cash grab from Disney.