United States
Though beautifully crafted, Too Old To Die Young is a slow and frustrating watch that’s hopefully worth it in the end.
A film that is not enjoyed so much as processed, Midsommar is a rare experience that is not to be missed. That being said, you absolutely cannot skip it.
The Raft is a rare documentary which aims to offer closure to its subjects, making it a rewarding watch. Hayden Cornmell reviews.
Dark Victory is yet another film released during the landmark year of 1939 all but cementing Bette Davis’ reputation as a force of nature.
While it may stumble under the weight of its own plot, Recovery is flawed, but it’s fun with moments that are really worth checking out.
Jupiter Ascending was a critical and a box office failure. Aaron Berry examines it from the point of view of the directors’ own transition.
Murder Mystery is a generic comedy from Adam Sandler, but thankfully never up there with the actor’s worst efforts. Mark MacPherson reviews.
With deeply moving and dynamic performances top to bottom, American Woman is a powerhouse of a film.
Toy Story 4 is the finest of the Toy Story sequels, and if it’s the start of a second trilogy, then we’ll follow it to infinity and beyond.
The 5th season of Black Mirror is satisfying, but never reaches Charlie Brooker’s best work. Bree Duwin reviews.
With poor dialogue and a failed execution, Hallowed Ground is a massive disappointment and just might be one of the worst films of 2019.
Episode 6 of The Spanish Princess ups the ante with more death, ambition and romance. Katy Kostakis reviews.
Men In Black: International doesn’t work like it should, but Kumail Nanjiani is a standout in this mediocre entry to the franchise. Alex Arabian reviews.
Wade in the Water is raw, supplying dialogue that’s probably too forthright for Hollywood, but it also pulls off something inventive and darkly funny.
The Devil and The Lovers serve as a fascinating double-bill of Too Old to Die Young but it remains to be seen whether the series will grow into its own.