United States
Murder Mystery is a generic comedy from Adam Sandler, but thankfully never up there with the actor’s worst efforts. Mark MacPherson reviews.
With deeply moving and dynamic performances top to bottom, American Woman is a powerhouse of a film.
Toy Story 4 is the finest of the Toy Story sequels, and if it’s the start of a second trilogy, then we’ll follow it to infinity and beyond.
The 5th season of Black Mirror is satisfying, but never reaches Charlie Brooker’s best work. Bree Duwin reviews.
With poor dialogue and a failed execution, Hallowed Ground is a massive disappointment and just might be one of the worst films of 2019.
Episode 6 of The Spanish Princess ups the ante with more death, ambition and romance. Katy Kostakis reviews.
Men In Black: International doesn’t work like it should, but Kumail Nanjiani is a standout in this mediocre entry to the franchise. Alex Arabian reviews.
Wade in the Water is raw, supplying dialogue that’s probably too forthright for Hollywood, but it also pulls off something inventive and darkly funny.
The Devil and The Lovers serve as a fascinating double-bill of Too Old to Die Young but it remains to be seen whether the series will grow into its own.
Katie Says Goodbye proves playing an uplifting song at the end of a film doesn’t resolve the absence of thematic meaning that was lacking throughout the entire movie.
Frivolous in treatment and a trailer more impactful than the film itself, Loners never understands its true potential.
Jeffrey fully embraces the AIDS contradiction of 1995, always teetering on the edge of potentially borrowed time.
While Head Count shows potential and has some really good high level thoughts, there’s just not enough scares to bring the film to life.
What’s Eating Gilbert Grape is a story of deep familial relationships suggesting the importance of understanding the struggles of mental health.
Directed by Deon Taylor, The Intruder treads into territory that is unfathomable for most of us and may not be the kind of place you want to stay in.