United States
The Good, The Bad, The Hungry looks deep into the world of professional earring and how hot dog eating feels like the height of campy fun.
Tracks is a rather tedious ride that doesn’t possess any of the characteristics a rom com should have in order to soar.
Spider-Man: Far From Home has all the right stuff, tinkering with the superhero formula and reshaping what we’ve come to expect.
Too Old To Die Young might be exhausting, but both of these episodes with their shocks and new emotional layers are incredibly rewarding to watch.
Episode 7 of The Spanish Princess ups the ante with more death, ambition and romance. Katy Kostakis reviews.
Too Old To Die Young is an exhausting watch, we can only assume there will be a big reward at the end for us loyal viewers.
The Refuge keeps patient viewers hooked and film lovers invested by maintaining a harsh and eye-catching atmosphere and storytelling angle.
In Reality might not fully pass The Bechdel Test, but it’s a fun exploration of dating life and Ann Lupo’s filmmaking skills. Tuesday Blue reviews.
The Secret Life of Pets 2 is fine enough sequel, but never really explores all its potential. Debbie Lawrie reviews.
Though beautifully crafted, Too Old To Die Young is a slow and frustrating watch that’s hopefully worth it in the end.
A film that is not enjoyed so much as processed, Midsommar is a rare experience that is not to be missed. That being said, you absolutely cannot skip it.
The Raft is a rare documentary which aims to offer closure to its subjects, making it a rewarding watch. Hayden Cornmell reviews.
Dark Victory is yet another film released during the landmark year of 1939 all but cementing Bette Davis’ reputation as a force of nature.
While it may stumble under the weight of its own plot, Recovery is flawed, but it’s fun with moments that are really worth checking out.
Jupiter Ascending was a critical and a box office failure. Aaron Berry examines it from the point of view of the directors’ own transition.