United States
Eddie Murphy is at his absolute best in Dolemite Is My Name. The humor and chops for drama that he brings to the role are a perfect c*cktail that you just can’t help but drink up.
3 Days With Dad does not deliver to the audience what it promises, presenting an exercise in patience that goes one day to long.
Sounds and vibrations undoubtedly shape the world as we know it, in turn capable of…
Looking back on “the gayest horror film ever made”, Scream Queen! My Nightmare on Elm Street is the kind of documentary you wait all year to see.
Bloodline is a truly frustrating experience – a few less unneeded twists and turns might have made the whole thing plausible.
Although uneven, Always in Season is hugely effective in raising awareness and provoking discussion around racial injustice.
Corporate Animals by no means breaks the horror/comedy mold, but there’s some laughs to be had.
With standout and nuanced performances, Villains is one of the funniest horror films you will see in quite some time.
Unfortunately, Tall Girl takes the typical high school movie beats and fails to do much with them.
Carnival Row starts off slow and is hard to get invested to, but eventually pays off in some respects.
Hustlers won’t be loved by everybody, but as both entertainment and an addition to the world of crime cinema, it’s an exceptional work.
Freaks is a paranoid little picture, using its influences wisely while manufacturing something distinctive: one of the best Sci-fi’s of the year.
Alfred Hitchc*ck’s oft-forgotten The Trouble With Harry delightfully blends small-town Americana with his usual penchant for droll humor and the macabre.
The Giverny Document demands attention, and even if the attention it does receive ends up in the limited availability of a museum, the format cannot be more appropriate.
Waves is an exquisitely crafted piece of art that solidifies Shults as a force to be reckoned with.