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If you are looking for a new series to binge over and over again, John Green’s Looking for Alaska TV series might be for you!
Comprised as it is primarily of archival footage and talking heads collectively geeking out, it could be easy to find Memory: The Origins of Alien overly dry.
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese is more so curated than directed by the cinematic icon whose name is in the title.
Ad Astra is not without its flaws, but Gray’s science-fiction endeavor is ultimately one of the best films of the year.
In the Shadow of the Moon joins the ranks of Equilibrium and the most recent Planet of the Apes trilogy as a politically motivated film disguised as a popcorn flick.
With groundbreaking visual effects, a razor sharp script, three generational talents and the great Martin Scorsese, The Irishman is as exceptional as you’d hope.
Random Acts of Violence forces the audience to confront their own enjoyment at watching others’ pain
Groupers isn’t perfect, and it certainly isn’t a mainstream product for the masses, but it has its merits.
A conspicuously suspense-free story, Haunt feels like a missed opportunity by refusing to take its own ideas to the extreme.
Eddie Murphy is at his absolute best in Dolemite Is My Name. The humor and chops for drama that he brings to the role are a perfect c*cktail that you just can’t help but drink up.
3 Days With Dad does not deliver to the audience what it promises, presenting an exercise in patience that goes one day to long.
Sounds and vibrations undoubtedly shape the world as we know it, in turn capable of…
Looking back on “the gayest horror film ever made”, Scream Queen! My Nightmare on Elm Street is the kind of documentary you wait all year to see.
Bloodline is a truly frustrating experience – a few less unneeded twists and turns might have made the whole thing plausible.
Although uneven, Always in Season is hugely effective in raising awareness and provoking discussion around racial injustice.