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3 FROM HELL : A Legacy of Snores
3 FROM HELL : A Legacy Of Snores

By the time 3 From Hell winds to its conclusion, the little voice in my mind whispering “who cares” was a loud pleading yelp.

ZOMBIELAND: DOUBLE TAP: Unnecessary, But Undeniably Funny
ZOMBIELAND: DOUBLE TAP: Unnecessary, But Undeniably Funny

Zombieland: Double Tap is a funny, but unnecessary sequel to the 2009 zom-com from Ruben Fleischer. Maria Lattila reviews.

A CINDERELLA STORY: CHRISTMAS WISH: Fun Performances Lost In A Formulaic Christmas Musical

A Cinderella Story: Christmas Wish follows the classic Cinderella motif with a few changes, some of which work, while others feel too close to countless other adaptations of the fairy tale.

THE ADDAMS FAMILY: Not Kooky Enough
THE ADDAMS FAMILY: Not Kooky Enough

Forgettable and quite boring, The Addams Family is perfectly passable as a children’s film, but not a genre classic.

Monsterfest 2019: COLOR OUT OF SPACE
Monsterfest 2019: COLOR OUT OF SPACE

Color Out of Space heralds Richard Stanley’s return, a man given short shrift and who has a great eye for throwback horror and truly creepy cinema.

THE LIGHTHOUSE: A Saltwater-Soaked Meditation On Madness
THE LIGHTHOUSE: A Saltwater-Soaked Meditation On Madness

If you’re willing to take a chance and join Eggers, Pattinson, and Dafoe on their very weird journey, you’ll find it’s worth the trip.

THE KILL TEAM: An Outstanding Nat Wolff Leads Murky Moralistic War Story
THE KILL TEAM: An Outstanding Nat Wolff Leads Murky Moralistic War Story

Despite Nat Wolff’s outstanding performance, those interseted in The Kill Team are better off sticking with the documentary.

Monster Fest 2019: PORNO
Monster Fest 2019: PORNO

Coming in at just over 90 minutes with a solid pace throughout, Porno is very funny, very gross, and full of heart.

JAY & SILENT BOB REBOOT: A 'Return To Form' That Kevin Smith Never Really Lost To Begin With
JAY & SILENT BOB REBOOT: A ‘Return To Form’ That Kevin Smith Never Really Lost To Begin With

Jay and Silent Bob Reboot, is a heartfelt, thoughtful film that takes a clever jab at Hollywood’s dwindling originality, while maintaining its own level of originality.

MORE BEAUTIFUL FOR HAVING BEEN BROKEN: Potential That Suffers In Execution
MORE BEAUTIFUL FOR HAVING BEEN BROKEN: Potential That Suffers In Execution

Though More Beautiful For Having Been Broken suffers due to its execution of these significant ideas, it has heart and potential behind it.

Queerly Ever After #11: BACK SOON (2007)
Queerly Ever After #11: BACK SOON (2007)

Back Soon is certainly an enjoyable bad movie, but for any bold statements on sexual fluidity you’re better off watching something else.

MALEFICENT: MISTRESS OF EVIL: Magic Does Its Best To Shine Through An Unremarkable Sequel
MALEFICENT: MISTRESS OF EVIL: Magic Does Its Best To Shine Through An Unremarkable Sequel

Maleficent: Mistress of Magic is a movie that feels at war with itself, but when the right side breaks through, it can be something beautiful, like the film that came before.

LUCY IN THE SKY: A Disaster of Cosmic Proportions
LUCY IN THE SKY: A Disaster Of Cosmic Proportions

Lucy in the Sky is an absolute flatline, dragging to an anticlimactic ending. Noah Hawley might do best to stay in television.

EL CAMINO: A BREAKING BAD MOVIE: An Ordinary But Affectionate Farewell
EL CAMINO: A BREAKING BAD MOVIE: An Ordinary But Affectionate Farewell

While it isn’t a terribly exciting conclusion to a richly-textured saga, it’s the little moments along the way that make El Camino a heartfelt final chapter in a great character’s story.

RAISING DION Season 1: An Indie Comic Justly Translated Onto The Small Screen
RAISING DION Season 1: An Indie Comic Justly Translated Onto The Small Screen

Raising Dion enlivens the superhero genre by offering a fresh tone and concept, and it also has some subtle messages that resonate with personal growth and sociopolitical challenges still being faced today.