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While it does suffer from a few hiccups along the way, it finds its strength in its source material and its characters, cast and crew.
For all its faults, Knives Out is a brisk and often engaging film that will provide audiences a moderately enjoyable ride.
Generic in all the worst ways, Animal Among Us is poorly executed, feeling like a throwback to the worst of mid 2000’s horror.
The Gallows Act II is full of bad jump scares, laughable dialogue and is never very scary. Kevin Lee reviews.
Earthquake Bird is likely to be but a blip in the filmography of both its stars and director.
Klaus captures the old fashioned wonder of Christmas within the old fashioned splendor of traditional animation.
Between bad dialogue, acting that feels as undeveloped as the characters, and an unfocused story, it’s no wonder Midway feels like a drag.
While the tone, look and disturbing special effects will enthrall audiences in the beginning, Daniel Isn’t Real misses the mark in its third act.
A transformative adaptation, American Son may not be a groundbreaking piece of filmmaking, but that’s not what it was meant to be either.
With the talent both behind the camera and in front of it, one would expect more thank a glorified Hallmark film from Last Christmas.
Charlie’s Angels is an uneven movie, but the joy of watching Stewart, Scott, and Balinska relish the lighthearted fun overpowers any shortcomings.
Regarding Billy is the kind of movie you watch if you enjoy formulaic holiday films, but you’d like your Hallmark cheese with a dash of gay.
Ed Perkins’ documentary Tell Me Who I Am is an experience that’s both remarkable and powerful.
“The Gift” of Johnny Cash is how he brings us into his struggles, into his journey, and lets us be a part of it with him.
Unfortunately, our hero has fallen victim to the sophomore slump; Jack Ryan has made a lackluster return to our screens for season 2.