United States
Not even the great acting of Brighton Sharbino or Will Patton can save Radioflash from its middling existence.
House of Cardin is a shiny, candy-colored look inside Cardin’s world, albeit one that is solely laudatory.
Alex Gibney’s Citizen K, a deep-dive into the life of the oligarch-turned-activist Mikhail Khodorkovsky, brilliantly utilises his recollections.
There are shades of the director’s previous work, but The Irishman is like an amalgamation after decades behind the lens.
Oscar-winning producer Eva Orner crafts a portrait of manipulation that’s both engrossing and gross, a narrative more pertinent than ever in the era of the #MeToo and Time’s Up movements.
1917 is a vision of uninterrupted chaos, equipped with a unique blend of personal pathos and visual bravado.
Thanks to its talented and charismatic leads, The Kaminsky Method overcomes any lack of forward narrative momentum.
The Plagiarists is peculiar, fairly self-reflexive, and laced with grueling yet equally as rewarding ambiguity that comes from the artists’ seat.
In a world that seems more divisive and hopeless everyday, A Beautiful Day In The Neighborhood is a beautiful film that anyone and everyone could and should see.
While it does suffer from a few hiccups along the way, it finds its strength in its source material and its characters, cast and crew.
For all its faults, Knives Out is a brisk and often engaging film that will provide audiences a moderately enjoyable ride.
Generic in all the worst ways, Animal Among Us is poorly executed, feeling like a throwback to the worst of mid 2000’s horror.
The Gallows Act II is full of bad jump scares, laughable dialogue and is never very scary. Kevin Lee reviews.
Earthquake Bird is likely to be but a blip in the filmography of both its stars and director.
Klaus captures the old fashioned wonder of Christmas within the old fashioned splendor of traditional animation.