United States
A New Christmas may not be the best thing to find under your tree, but it’s still a nice treat.
We live in a divided society, and the only thing that can bring humanity together is watching (and laughing at) Tom Hooper’s feline romp.
What She Said: The Art of Pauline Kael is a pleasant reminder of Kael’s greatness and a nostalgic look back at an era that changed American cinema forever.
Black Christmas is angry, terrifying, empowering even – all that surrounded with the threatening notes of holiday songs playing in the background and a stalker out to get you.
Mrs. Fletcher is a wholesome experience that provides an empowering journey about the complexity of being human.
Just as A Hidden Life is arguably Malick’s most directly religious film, it is also his most directly political and possibly by virtue of its subject matter, least poetic.
Lection has potential to be a thriller with political undertones, but feels more like a basic metaphorical statement thrown over the top of a slow-paced film.
The Marion Stokes Project captures both the inherent humor and the utter absurdity of what this single-minded woman devoted her life to.
If there is one thing this movie proves, it’s that star power can break through…
Make The Yuletide Gay is a light, fluffy holiday movie that makes you happy, which is exactly what you want when watching this kind of film.
What You Gonna Do When the World’s on Fire is a showcase for filmmaker Roberto Minervini and a telling portrait of poverty in New Orleans.
Uncut Gems is powerful, almost masterful filmmaking from Josh and Benny Safdie and features a career-best performance from Adam Sandler.
I See You is a well-crafted head-scratcher even if it doesn’t seem so at first.
Sadly, Playmobil The Movie merely serves as a reminder of how studios forcing a film around a product didn’t always make for the greatest of entertainment.
Marriage Story is a promising film, but Baumbach’s strategies in drawing out his character arcs are uneven, insufficient, and disappointing.