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CODE 8: Where Superpowers In Cinema Take A Left Curve
CODE 8: Where Superpowers In Cinema Take A Left Curve

Code 8 is exhilarating, gruesome, and touching, and its unique premise may very well be appreciated across genres.

THE GRUDGE: Uhhhhhhhhh...
THE GRUDGE: Uhhhhhhhhh…

The best moment in this 2020 rendition of The Grudge is when the title card…

SEBERG: Not the Story She Deserved

For all of its admirable intentions, the film’s flimsy storytelling does a disservice to Seberg’s legacy.

SPIES IN DISGUISE: A Perfectly Average Send-Off To A Decade Of Computer Animation's Coming Of Age
SPIES IN DISGUISE: A Perfectly Average Send-Off To A Decade Of Computer Animation’s Coming Of Age

Spies in Disguise is an almost poetically appropriate summary of everything computer animation has become in the last ten or so years.

TOGO: Vintage Heroes Don Fur
TOGO: Vintage Heroes Don Fur

Togo’s fine, grainy exhibition of the Alaskan atmosphere is often breathtaking, yet its release through streaming may have sacrificed its beauty.

KNIVES AND SKIN: A Surface Level Stab at Lynchian Horror
KNIVES AND SKIN: A Surface Level Stab At Lynchian Horror

There are some elements to admire in Knives and Skin, but the film ultimately suffers from being an under-baked slice of surrealism set in Midwestern America.

6 UNDERGROUND: Michael Bay's Magnificent Slice Of Sheer Madness
6 UNDERGROUND: Michael Bay’s Magnificent Slice Of Sheer Madness

In a holiday season in which the biggest action movie played it relatively safe to disappointing results, 6 Underground’s pure dose of Bayhem is even more of a welcome change of pace.

LITTLE WOMEN: Greta Gerwig Does It Again
LITTLE WOMEN: Greta Gerwig Does It Again

From Gerwig’s directing, to Yorick Le Saux’s cinematography, to the performances, to the score by Alexandre Desplat, this is one of the best movies of the year. It is a feel good movie for the whole family, especially sisters.

THE GENTLEMEN: Guy Ritchie's Return to Form
THE GENTLEMEN: Guy Ritchie’s Return To Form

A cheeky, old-fashioned return to form, The Gentlemen arrives at the right time in Guy Ritchie’s career.

THE CONFESSION KILLER: A Nearly Incomprehensible “True” Story
THE CONFESSION KILLER: A Nearly Incomprehensible “True” Story

Netflix’s true crime mini-series The Confession Killer delivers detail after detail in rapid succession in exquisite fashion.

A NEW CHRISTMAS: A Little Christmas Surprise, Just For Us
A NEW CHRISTMAS: A Little Christmas Surprise, Just For Us

A New Christmas may not be the best thing to find under your tree, but it’s still a nice treat.

CATS: The Bad Film You Hoped it Would Be
CATS: The Bad Film You Hoped It Would Be

We live in a divided society, and the only thing that can bring humanity together is watching (and laughing at) Tom Hooper’s feline romp.

WHAT SHE SAID: THE ART OF PAULINE KAEL: Cinematic History Through Her Life And Words
WHAT SHE SAID: THE ART OF PAULINE KAEL: Cinematic History Through Her Life & Words

What She Said: The Art of Pauline Kael is a pleasant reminder of Kael’s greatness and a nostalgic look back at an era that changed American cinema forever.

BLACK CHRISTMAS: Smashes The Patriarchy With Strong Women
BLACK CHRISTMAS: Smashes The Patriarchy With Strong Women

Black Christmas is angry, terrifying, empowering even – all that surrounded with the threatening notes of holiday songs playing in the background and a stalker out to get you.

MRS. FLETCHER: A Thoughtful And Liberating Dual Coming Af Age Dramedy
MRS. FLETCHER Mini-Series: A Thoughtful & Liberating Dual Coming-Of-Age Dramedy

Mrs. Fletcher is a wholesome experience that provides an empowering journey about the complexity of being human.