United States
Unfolding like a fever dream with strong performances throughout, Caitlin Kennedy reckons that Horse Girl is well worth each twisting moment.
Last week, Holly Gibney (Cynthia Erivo) was in jeopardy, Ralph (Ben Mendelsohn) was really trying…
In She’s in Portland, the elements feel superficial, with the core relationship feeling especially hackneyed.
Shelter is the kind of film you watch when you want something that is wholesome, but not chaste, that will end happy.
Coupled with skill in front and behind the camera, It is not gore or a body count but pure tension that pulsates through Dead Sound, pushing it forward.
In spite of some of its trip-ups, it’s hard to find something so genuine in its portrayal of the prevalent anger and worry of these times.
This adaptation of The Call of the Wild doesn’t quite have the same impact as Jack London’s bold portrayal of nature versus man. But it’s hard to decry it all the same.
It has been all too easy for many to forget about what happened and is still happening in Flint. That alone should make this documentary essential viewing.
In its second episode, Zoey’s Extraordinary Playlist shows no signs of slowing down and continues to not only entertain, but firmly pull at the heartstrings as well.
Come to Daddy oozes Timpson’s remarkable devotion to the emotional, surreal and vicious with grotesque gusto.
The Professor and the Madman limps out as a woefully half-baked and overcooked spectacle that mistakes reality for relevance.
With only three episodes left in HBO’s slow-burn mystery-horror series, anything can happen at this point.
Unfortunately, Billy Crystal and Ben Schwartz aren’t enough to elevate Standing Up, Falling Down to success.
While it could have taken more risks, season one of Locke & Key gives us a feasible starting point for what could be a flourishing new fantasy series.
VFW is dumb fun, but unfortunately not nearly as much as the description would make it sound.