United States
Marcel Duchamp: Art of the Possible provides a pleasant and appealing overview of Duchamp’s life and career without truly challenging the viewer.
Good Ol Girl succeeds in bringing attention where attention is due, and providing an understanding to the changes Texas ranchers must embrace if they are to survive.
Bloodshot attempts to do something “different”, but retains to many of the clichés its predecessors have befallen to.
Julia Hart’s Stargirl is a decent adaptation of the beloved young adult novel, but it’s incredibly underwhelming.
The 3rd episode, “On The Wings of Keerdaks” was just a classic episode of Clone Wars with one thing on the agenda: get out alive. Let’s talk about it.
Blow the Man Down is a careful study about growing up following a tragedy, about fending for oneself, and about the oddness in towns that people inhabit.
Ordinary Love’s minimalist approach to the narrative puts a lot of pressure on the performers, but fortunately, Manville, Neeson and Wilmot shine through at nearly every instance.
For a series that prospered on a measured pace and ambiguity, The Outsider continues to leave viewers in the dark, even during the grand finale.
The Way Back is a deeply affecting and moving redemption story anchored by an absolutely outstanding performance from Ben Affleck.
Linear as can be, D. Wade: Life Unexpected will satisfy fans of the superstar and fans of the NBA, acting more as a gloss-over and less as an in-detail retrospective.
Well-acted, and relentlessly brutal, Hunters has the ability to garner more attention but falls short from being memorable.
The problem is not only that The Jesus Rolls doesn’t work as either a Lebowski spinoff or a Going Places remake, but that this movie barely works as anything.
Vivarium is a strange beast and not everything works within its bizarre world, but it’s an endlessly compelling watch.
Despite an all-star cast of respectable and often captivating actors, The Last Thing He Wanted ultimately falls apart due to its convoluted storytelling.