If you let yourself think about all the unknowns in the world, it can bring on a strange, existential panic, one that Upstream Color captures in a beautifully unnerving way.
Cosmos: Possible Worlds continues to present science exactly as it should be presented: as a critically important, yet fascinating journey of discovery and enlightenment, a candle in the darkness of our relatively short journey as a species.
While we’ve followed the bad batch for four episodes now, the reintroduction of Mace Windu and Obi-Wan Kenobi helps to signal to us that we’ve arrived at a new plotline.
Avenue 5 is adrift, not exactly voicing a perspective that feels fresh or relevant. It doesn’t know what it wants to be, leaving it stuck in an unsatisfactory middle.
Through her creative direction, Nanette Burstein is able to tell Hillary Clinton’s story, the story of an insane campaign, and the story of women in politics.
The Boy Who Sold the World is a captivating documentary looking into the world behind the technology of apps, and the minds of the youth who are set on changing the world.
Dark Waters is poignant, infuriating, and anxiety-inducing in the best possible way, and serves as a reminder of the importance of compassion and responsibility — now more than ever.