United States
Avenue 5 is adrift, not exactly voicing a perspective that feels fresh or relevant. It doesn’t know what it wants to be, leaving it stuck in an unsatisfactory middle.
All The Bright Places is a disservice to teen audiences who have longed for an honest depiction of serious issues like mental illness and suicide.
Drunk Bus is edgy and heartwarming, bringing powerful performances and an even stronger message to this coming-of-age film.
Despite Oy Vey! My Son Is Gay!! having a happy ending, it still serves up highly offensive and harmful gay stereotypes.
Through her creative direction, Nanette Burstein is able to tell Hillary Clinton’s story, the story of an insane campaign, and the story of women in politics.
“A Ladder to the Stars” is, at its heart, a simple story, the same hero’s journey all of us have experienced a thousand times over.
In order to fully enjoy Olympic Dreams, one needs to see it as an experiment.
Crip Camp is a beautiful, wonderfully entertaining and insightful history lesson on civil rights for the disabled in America.
Dark Waters is poignant, infuriating, and anxiety-inducing in the best possible way, and serves as a reminder of the importance of compassion and responsibility — now more than ever.
Burden’s misfires are too numerous to hit on any sort of reality, making it a frothy and less than ambitious piece of entertainment.
Spenser Confidential feels generic, tonally confused, and most importantly, the product of a workmanlike filmmaker clearly out of his element.
Coded Bias makes its primary focus on a the bias of facial recognition and the abuse that technology poses both currently and in the future.
Despite a few stumbles along the way, I Will Make You Mine is a deeply nuanced directorial debut and character study that will leave audiences satisfied.
Castlevania is just as exciting as any season that came before and raises the bar with one of the most shocking penultimate episodes of the entire show.