In Shawn Cauthen’s Netflix vs. the World, we witness the rise of Netflix from a fledgling startup to a producer of original content that wins Academy Awards.
Boris And The Bomb not only tries to be bigger than the sum of its parts but also seems to have a lot of heart put into it, yet it never reaches the heights envisioned by its creators.
While a narrative focusing on young women exploring their sexuality without judgment would usually be greeted with enthusiasm, CRSHD treads well-worn stereotypes.
At the end of the day, The Lovebirds feels like a bad first date. You go in full of hope and a mind for flirting and fun and leave without a meaningful connection.