United States
Full of innovation and imagination, The Vast of Night plays to the corners of the human mind that dare to dream and recoil from what we fear.
Mrs. America is an extraordinary limited series. It’s wicked, empowering, and, at times, frustrating. Just like a life of almost every woman I know.
Boris And The Bomb not only tries to be bigger than the sum of its parts but also seems to have a lot of heart put into it, yet it never reaches the heights envisioned by its creators.
The Tell Tale Heart is a punky, blood-spattered thrill ride from McClain Lindquist, whose debut short film brings something quite new to Poe’s story.
Bosch is an impressively crafted ensemble show with a wealth of excellent actors that make for an impressive consistency over its six-season run.
At the end of the day, The Lovebirds feels like a bad first date. You go in full of hope and a mind for flirting and fun and leave without a meaningful connection.
Maintaining the humor of season one, the latest season of Ramy is also moving, heartbreaking, and relevant.
The State of Texas vs. Melissa unfolds slowly, meticulously and with intent as you witness a cinematic investigation unfold.
Whether you’re a fan of podcasts or adult animation, The Midnight Gospel offers a mind-bending experience to viewers that has not really been seen before.
Malik Vitthal’s Body Cam is a forbidding tale of revenge that comes at you with speciously righteous fury, and that fury lingers.
Through The Night is not just about a daycare, but about a broken system that forces parents to choose between their children and their livelihood.
Dangerous Lies isn’t a terrible film. If you set your expectations appropriately, it can actually be an entertaining movie.
Death of Nintendo doesn’t aspire to break any creative ceilings, but does perfectly fine within its own creative sandbox.
The Man with the Golden Arm’s outlawed aesthetic and spirit make it a tangible and lasting achievement.