United States
Fisherman’s Friends eagerly invites its audience in and provides a worthwhile and heartwarming story that will have you humming along.
Every moment of Homewrecker, crazy or scary or just plain weird, is played with a lightness that makes it a joy to watch.
A Girl from a Box is a light-hearted short that manages to delve deep into modern relationships with a funny and delicate touch.
Despite feeling disjointed at times, Wake Up: Stories from the Frontlines of Suicide Prevention is a highly informative piece of filmmaking.
The films of John Singleton have provided thought-provoking stories, honest characters, and imagery that lingers well past each viewing.
Time and time again, filmmaker Cheryl Dunye has proven she can maneuver tight narratives and powerful messages with a shoestring budget.
James Benning’s latest work examines the ghostly spaces of human inhabitation through its austere and formalist rigour.
This Teacher isn’t a commercial film in its treatment of character, theme and aesthetic. But it’s one that deserves a mainstream audience.
The Journey Is the Destination is vibrant, violent, and sad, but it celebrates Dan Eldon’s exceptional life well.
Having done everything from gangster films to gothic horror, Ferrara and Dafoe have captivated audiences with their deeper, arthouse works.
Of all the crime films to emerge from the 90s, Carl Franklin’s neo-noir masterpiece One False Move stands as one of the forgotten gems.
Liberté is sexual, it’s arousing in respects, it’s taboo in many instances, but overall, it is grotesque and repulsive.
Betty is a perfect summer binge that will empower you to go pick up a skateboard and skate your way to the city with a group of friends.
Spring Night, Summer Night serves as a remarkable example of why funding the preservation, restoration, and release of older films is so important.
I’m No Longer Here allows the heart to overpower technique, and resulting in a heart-warming tale of cultural identity and the lack of it.