United States
Irresistible seems too afraid of being part of the noise to pull those kinds of punches, and that costs the film some urgency.
Game of Death is a fun and gore-filled examination of horror and video game conventions that works well in its short runtime.
The tone of First Cow is warm and fuzzy until the very end that watching it unfolds is like going through a soothing meditation.
Showbiz Kids is a fascinating look at the life of child actors and offers unusual insight into the world of acting.
A notorious box office flop, revisiting Waterworld today reveals a sturdy but middling treasure, as astonishing as it is underwhelming.
Spy Intervention doesn’t give much in terms of laughs, but a few moments, give life to an otherwise dull film.
Combined with Cianfrance’s ‘addiction’ to this story and the intimacy of the acting, I Know This Much Is True creates a palatable amount of realism.
Greyhound passes by as a monotonous series of skirmishes that never feel that threatening, even when boats are exploding around them.
Though initially marketed to a younger audience, Avatar: The Last Airbender offered important and incisive messages to all of its viewers.
Musanna Ahmed spoke with director Mark Jackson about his film This Teacher, co-writer Dana Thompson and star Hafsia Herzi, and more!
Bloody Nose, Empty Pockets is an immersive experience to say the least. It’s a bold cinematic achievement and fine work of deception.
Alex Lines had the chance to talk with co-director Justin Feltman about his documentary Hamtramck, screening at Melbourne Documentary Film Festival.
We spoke with Gavin Rothery, the director of Archive, which explores new territory in sci-fi themes like memory, humanity, loss, and fear of replacement.
The Beach House has all the makings of a home run, but the execution leaves viewers checking their watches.
With a a compelling, chemistry-driven narrative, Palms Springs is refreshing take on the time loop genre and one of the year’s best comedies.