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Combined with Cianfrance’s ‘addiction’ to this story and the intimacy of the acting, I Know This Much Is True creates a palatable amount of realism.
Greyhound passes by as a monotonous series of skirmishes that never feel that threatening, even when boats are exploding around them.
Though initially marketed to a younger audience, Avatar: The Last Airbender offered important and incisive messages to all of its viewers.
Musanna Ahmed spoke with director Mark Jackson about his film This Teacher, co-writer Dana Thompson and star Hafsia Herzi, and more!
Bloody Nose, Empty Pockets is an immersive experience to say the least. It’s a bold cinematic achievement and fine work of deception.
Alex Lines had the chance to talk with co-director Justin Feltman about his documentary Hamtramck, screening at Melbourne Documentary Film Festival.
We spoke with Gavin Rothery, the director of Archive, which explores new territory in sci-fi themes like memory, humanity, loss, and fear of replacement.
The Beach House has all the makings of a home run, but the execution leaves viewers checking their watches.
With a a compelling, chemistry-driven narrative, Palms Springs is refreshing take on the time loop genre and one of the year’s best comedies.
Relic, through a deliciously brilliant depiction, personifies and tackles the social and familial issues surrounding dementia.
The Old Guard delivera propulsive sets of action, plenty of over-the-top violence, and breathtaking vigorous energy from Charlize Theron.
Alex Lines spois with director Iván Castell about his latest music revival documentary The Rose of the Synths.
If you are in the mood for a light, funny, horror-comedy – heavy on the comedy – Useless Humans is something special.
The kind of film that could only come from the mind of Werner Herzog, Family Romance, LLC is absolutely fascinating.
Wilmington on Fire maintains its path of creating a strong and comprehensive account of the political mood of the time and the world that was left.