United States
As we await another musical adaptation of Little Shop of Horrors, it’s worth looking back to Roger Corman’s campy 1960 original film.
Lovecraft Country is a knockout of a show, and one that is epic, terrifying, and relevant altogether.
With a memorable dual role from Seth Rogen, An American Pickle is intentionally illogical, tonally wacky, and surprisingly personal.
After all the attention and commitment to the story, Waiting for the Barbarians leaves viewers without a solid and satisfying payoff.
In all its easygoing, light entertainment, Whose Line is ideal quarantine comfort food.
A darkly funny mashup between a sports documentary and gangster drama, it is an incredibly entertaining film that also delves into serious cultural issues.
What We Found is a well-paced thriller that explores important issues while blending darker elements with a realistic and engaging friendship at its core.
Before/During/After blends a journey of self-discovery with an examination of marriage from start to the unexpected end.
I Used to Go Here is about far more than one could have hoped and imagined with a pleasant amount of consideration given to all its characters.
Kevin Lee spoke with Karen Maine about sexual education, her personal experiences in Catholic school, how that guided her direction in the film and more!
Reichardt once again displays her generous understanding of life on the margins, and the implicit need to create relationships in harsh lands.
Amy Seimetz’s sophmore directorial effort is full of great performances, but never engages with the premise enough.
While the premise feels like a joke, Dog with a Blog proves to be not just eminently watchable but also genuinely wholesome and entertaining.
The film making is far from flawless, but what Ganja & Hess really projects is the sense that it came from a person who wanted the work to reflect himself.
Black Water: Abyss starts strong in its horror, but too quickly, the film devolves into a story of drama with a background of splashing water.