United States
Despite its visual innovations and blockbuster decadence, Tenet finds itself submerged beneath Christopher Nolan’s lofty ambitions.
As we struggle to come to terms with the sins of our country’s past and present, Cut Throat City helps us to better see the sickness within our society.
As film viewers and critics, it is more important than ever for us to be aware of this invisible governmental and militarized bias in film and TV.
Half-baked and poorly executed, Project Power is a big-budget, overly ambitious feature that does nothing but let you down.
While delivering an updated depiction of the inventor, Tesla falters in its attempt to deliver the true brilliance of Nikola Tesla.
While Uncle Peckerhead kind of falls apart at the end with too many twists, the journey is worth taking despite its destination.
Stargirl brings new, optimistic light to a genre so frequently centered around fight scenes where everyone is off by themselves.
But Jazz on a Summer’s Day so effectively captures the energy of the moment, making us sense the atmosphere and enjoy it vicariously.
As we await another musical adaptation of Little Shop of Horrors, it’s worth looking back to Roger Corman’s campy 1960 original film.
Lovecraft Country is a knockout of a show, and one that is epic, terrifying, and relevant altogether.
With a memorable dual role from Seth Rogen, An American Pickle is intentionally illogical, tonally wacky, and surprisingly personal.
After all the attention and commitment to the story, Waiting for the Barbarians leaves viewers without a solid and satisfying payoff.