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Alex Lines spoke with director David Osit abut his documentary Mayor, his approach to shooting the city of Ramallah and more!
Racism is not — and has never been, I might add — a laughing matter. But it doesn’t mean that addressing it using comedy is an impossible thing to do.
Even when things get very strange, Charlie Kaufman’s I’m Thinking of Ending Things will always find a way to hook you in and never let go.
While frequently animated and wry, Words on Bathroom Walls persists on being realistic with its portrayal of schizophrenia.
Alex Lines had the opportunity to interview TT the Artist, the director of musical documentary Dark City Beneath the Beat.
While there are dozens of memorable moments, the way the film makes Batman a genuinely interesting and complex character remains its lasting legacy.
Far from the dumpster fire many feared, The New Mutants is a much more mundane disappointment: a near miss.
#Unfit is a timely and vital documentary on the nature and presidency of Donald Trump.
Away is clearly built to inspire, a sense of inspiration feels even stronger and more emotional by the time you arrive at the finish line.
Cetigrade is a chilly thriller that never turns up the heat, leaving the audience with little reason to chill with the imperiled couple.
With stunning technical work, solid performances and intriguing examination of parenthood, Raised by Wolves is enough to hook you in every episode.
Film Inquiry recently spoke with former Disney star David Henrie about his feature directorial debut, This is the Year.
Lake Michigan Monster embraces strangeness as it affectionately homages sci-fi B-movies of the 1950s and silent comedies of the 1920s.
Alex Lines had the chance to talk with directors Bill and Turner Ross for their film Bloody Nose, Empty Pockets.
Class Action Park explores the dark side of childhood as it covers the legend and legacy of the infamous Action Park.