United States
While it had the potential to have been an interesting film, Say Yes is hampered down by heavy-handed plot contrivances.
Anchored by a strong performance from Chloë Grace Moretz, Shadow in the Cloud is a ferociously entertaining thrill ride.
Feels Good Man should be required viewing, providing an excoriating insight into the rise of the alt-right and the underlying issues that propelled it.
Ratched returns Murphy to his deliciously horrific TV roots, bringing the origin of an iconic character to life for a new generation.
A perfectly timed film that corresponds intimately to the social issues we are living through, One Night In Miami is one to watch.
The COVID-19 documentary 76 Days is urgent and wrenching, unbashful in its presentation of tragedy and confusion.
The Devil All The Time balances each story, giving it is time to flourish and each character’s contribution to the others to be fully realized.
Chloe Zhao’s Nomadland surpasses the wildest expectations to become the first true all-around festival standout of the year.
Charles Officer’s film Akilla’s Escape is an engaging and hypnotic look at a young man’s attempt to break away from a violent lifestyle.
Genuinely funny and made with a real passion for its heroes, Bill & Ted Face the Music is a most excellent addition to the franchise.
Michael Frank had the chance to chat with Amelia Moses about her latest film Bleed with Me, its beginnings, the disturbing imagery and more!
We Are Who We Are thankfully delivers on what it promises in an immersive coming of age drama from one of the greatest filmmakers of our generation.
Brutal in its subtlety, Língua Franca is a harrowing portrait of not only Trump’s America but also Duterte’s Philippines.
Stephanie Archer had the opportunity to participate in a round table with director Jon Stevenson and cast members Wil Wheaton and Brian Landis Folkins about Rent-A-Pal.