United States
The Goldfinch is not a secret masterpiece, but it is good, beautiful even, and is worthy of revisiting and re-evaluation.
MLK/FBI is damning of the behaviors of the FBI and its treatment of not only the leader of a revolution and the deeply rooted racism that still lingers.
Agents of Chaos is an incredibly rich examination of the most pressing concern around the 2016 U.S. Presidential Election.
Film Title Poem, a 67-minute experimental traversal of film history, both canonical and personal, entirely by way of title cards.
While Sno Babies has its flaws, it does drive home hard the messages of addiction – it is dark, it is ugly and it is hard.
While it had the potential to have been an interesting film, Say Yes is hampered down by heavy-handed plot contrivances.
Anchored by a strong performance from Chloë Grace Moretz, Shadow in the Cloud is a ferociously entertaining thrill ride.
Feels Good Man should be required viewing, providing an excoriating insight into the rise of the alt-right and the underlying issues that propelled it.
Ratched returns Murphy to his deliciously horrific TV roots, bringing the origin of an iconic character to life for a new generation.
A perfectly timed film that corresponds intimately to the social issues we are living through, One Night In Miami is one to watch.
The COVID-19 documentary 76 Days is urgent and wrenching, unbashful in its presentation of tragedy and confusion.
The Devil All The Time balances each story, giving it is time to flourish and each character’s contribution to the others to be fully realized.
Chloe Zhao’s Nomadland surpasses the wildest expectations to become the first true all-around festival standout of the year.
For TIFF 2020, Stephanie Archer had the opportunity to interview director Nicole Riegel & actress Jessica Barden about their new film, Holler.
Charles Officer’s film Akilla’s Escape is an engaging and hypnotic look at a young man’s attempt to break away from a violent lifestyle.