United States
Fargo feels monotone as it’s too busy delivering speeches instead of creating compelling arguments about the timeless topics it wants to tackle.
Ultimately it can’t sustain moments in the same way as the likes of Inside Out, but it’s certainly worth investing time into.
The Devil Has a Name is worth watching for its message and for the strength of its three leading protagonists.
There is a cathartic experience Shithouse lends to its audience, a character study not so much in the characters themselves but character of emotions.
The Truffle Hunters provides a unique view into a world and an industry many have little knowledge and understanding of, delivered with heart and passion.
Mike Flanagan’s The Haunting of Bly Manor once again sees him revisiting an old horror text as a roadmap to explore human emotions.
As a collaborative effort to both engage and educate people, The Inheritance is a rare example of political activism and cinema.
Anchored by Katherine Langford in her best performance yet, Spontaneous will turn heads, churn hearts, and best-case scenario, blow you away.
Though dauntingly ambitious on paper, Unpregnant grounds itself in sincerity and provides laughs in spades while remaining genuine and respectful.
Antebellum, for all it promises, fails on several levels to ever come full circle in its intent while only worrying about a failed twist ending.
As Haroula Rose’s feature-length directorial debut, Once Upon A River shows us, you do what you can.
Pieces of a is nevertheless chock-full of indelible moments; ones that help you ride out its harsher sequences with earnest warmth and genuine care.
In spite of its cutesy title, Herb Alpert Is… does attempt to flesh out the multi-faceted extent of his talents: then and now.
As a lighthearted take on the end of the world, Save Yourselves! is an enjoyable distraction.
Scare Me is thrilling, chilling, and absolutely delightful, evoking perfectly that feeling of sharing ghost stories among friends.