United States
As a collaborative effort to both engage and educate people, The Inheritance is a rare example of political activism and cinema.
Anchored by Katherine Langford in her best performance yet, Spontaneous will turn heads, churn hearts, and best-case scenario, blow you away.
Though dauntingly ambitious on paper, Unpregnant grounds itself in sincerity and provides laughs in spades while remaining genuine and respectful.
Antebellum, for all it promises, fails on several levels to ever come full circle in its intent while only worrying about a failed twist ending.
As Haroula Rose’s feature-length directorial debut, Once Upon A River shows us, you do what you can.
Pieces of a is nevertheless chock-full of indelible moments; ones that help you ride out its harsher sequences with earnest warmth and genuine care.
In spite of its cutesy title, Herb Alpert Is… does attempt to flesh out the multi-faceted extent of his talents: then and now.
As a lighthearted take on the end of the world, Save Yourselves! is an enjoyable distraction.
Scare Me is thrilling, chilling, and absolutely delightful, evoking perfectly that feeling of sharing ghost stories among friends.
While City Hall has it’s ups and downs, it gives viewers a unique experience and perspective into the inter workings of Boston’s city officials.
The Goldfinch is not a secret masterpiece, but it is good, beautiful even, and is worthy of revisiting and re-evaluation.
MLK/FBI is damning of the behaviors of the FBI and its treatment of not only the leader of a revolution and the deeply rooted racism that still lingers.
Agents of Chaos is an incredibly rich examination of the most pressing concern around the 2016 U.S. Presidential Election.
Film Title Poem, a 67-minute experimental traversal of film history, both canonical and personal, entirely by way of title cards.
While Sno Babies has its flaws, it does drive home hard the messages of addiction – it is dark, it is ugly and it is hard.