United States
The originality of I Blame Society is an exquisite example of how quickly the thin line between reality and art can blur.
City So Real, Steve James’ five-part documentary miniseries, is a stunning, panoramic view of an America in transition.
What Do You Have to Loose takes a deep look into how the results of the 2016 election came to be from the view point of racial discrimination.
Symbiopsychotaxiplasm stands in homage to the unanticipated and the experimental, unraveling the form of cinema and documentary.
Neither horrific nor revelatory, The Last Exorcist brings little new to the well-trod table despite its best of intentions.
Trump Card is exhausting and potentially lobotomising, especially if you are watching it out of curiosity.
Hannibal Rising poses the question about what kinds of monsters we make of ourselves by settling for the aesthetics of political virtue.
Bizzarre and eccentric, Kajillionaire is a tender and moving story about love and our needs for connection.
While Synchronic is not the deep and pensive film it attempts to be, it is still an enjoyable film that will entertain.
Daryl MacDonald spoke with Tomm Moore and Ross Stewart to discuss the third in their unofficial Celtic folklore triptych: Wolfwalkers.
While it boasts gorgeous cinematography and framing, American Thief fails to find cohesion in its message and in its narrative.
Definition Please allows viewers to transcend the boundaries of culture and see themselves in the characters and in their emotions.
Lapsis is topical, revolutionary, and maddening, encouraging viewers to think critically about the economic systems that govern their lives.
The Trial of the Chicago 7 has the potential to become a bona-fide crowdpleaser that will resonate with its target demographic.
The passion of McQueen and his artistic collaborators for telling these stories shines through in every frame.