Reyzando Nawara had the opportunity to speak with Cooper Raiff about his movie Shithouse, the painful yet realistic part of the college experience, and more!
While it’s visually handsome, with performances from the two leads that are equally staggering, the show fails to accomplish what it wants to do.
A gorgeous, thrilling portrayal of careless childhood dissolving in the summer sun, Smooth Talk is a landmark coming-of-age film.
In this week’s Queerly Ever After, we take a look at The Falls Trilogy, which examines the relationship of two men in the Mormon Church.
With both leads shining bright, Cicada is altered, and elevated, by an undercurrent of trauma that haunts its central pair.
Rebecca is not a bad or dull film, but it squanders the immense potential for something vital and thrilling in du Maurier’s tale.
Mainstream hardly qualifies as a satisfactory, much less intelligent response to the media-saturated simulacra it lounges very comfortably within.
Ultimately, it is better to take the glorification of a powerful figure with a grain of salt, rather than a spoonful of sugar.
Any way you choose to interpret it, Nomadland flourishes under the direction of Zhao, and bolstered by a brilliant performance from McDormand.
If you’re looking for a Wikipedia summary of the government’s incompetence at handling this pandemic, it is a straightforward and relentless assault.
While many would probably have appreciated a more robust exploration of his musical career, there’s also a deeply human message at the core.
The originality of I Blame Society is an exquisite example of how quickly the thin line between reality and art can blur.
City So Real, Steve James’ five-part documentary miniseries, is a stunning, panoramic view of an America in transition.
What Do You Have to Loose takes a deep look into how the results of the 2016 election came to be from the view point of racial discrimination.
Symbiopsychotaxiplasm stands in homage to the unanticipated and the experimental, unraveling the form of cinema and documentary.