United States
Rebecca is not a bad or dull film, but it squanders the immense potential for something vital and thrilling in du Maurier’s tale.
Mainstream hardly qualifies as a satisfactory, much less intelligent response to the media-saturated simulacra it lounges very comfortably within.
Ultimately, it is better to take the glorification of a powerful figure with a grain of salt, rather than a spoonful of sugar.
Any way you choose to interpret it, Nomadland flourishes under the direction of Zhao, and bolstered by a brilliant performance from McDormand.
If you’re looking for a Wikipedia summary of the government’s incompetence at handling this pandemic, it is a straightforward and relentless assault.
While many would probably have appreciated a more robust exploration of his musical career, there’s also a deeply human message at the core.
The originality of I Blame Society is an exquisite example of how quickly the thin line between reality and art can blur.
City So Real, Steve James’ five-part documentary miniseries, is a stunning, panoramic view of an America in transition.
What Do You Have to Loose takes a deep look into how the results of the 2016 election came to be from the view point of racial discrimination.
Symbiopsychotaxiplasm stands in homage to the unanticipated and the experimental, unraveling the form of cinema and documentary.
Neither horrific nor revelatory, The Last Exorcist brings little new to the well-trod table despite its best of intentions.
Trump Card is exhausting and potentially lobotomising, especially if you are watching it out of curiosity.
Hannibal Rising poses the question about what kinds of monsters we make of ourselves by settling for the aesthetics of political virtue.
Bizzarre and eccentric, Kajillionaire is a tender and moving story about love and our needs for connection.
While Synchronic is not the deep and pensive film it attempts to be, it is still an enjoyable film that will entertain.