United States
Ammonite is a cold, distant viewing that rewards the viewer in sporadic intervals, confident that it will find the right audience.
The 10 Year Plan is a traditional rom-com, it is not about coming out of the closet, it is just about two best friends who realize they’ve been in love.
An earnest and perceptive drama that deals with homelessness and mental illness in ways that inform and engage, Princess of the Row is a must-see indie.
Happiest Season is a holiday film that transcends a one size fits all, welcoming everyone home for the holidays.
If you’re going to watch this one, you might as well marathon the series with some buddies online while imbibing the adult beverage of your choice.
It is an innovative piece of work; it starts off intense and visceral until it takes a turn and becomes a tender, compassionate exploration of acceptance.
Honest with its subject matter, Uncle Frank is a very conventional drama where something topical in the 1970s is still relevant today.
The Sounding is a tribute to William Shakespeare first and foremost, though that adoration often gets in the way of its storytelling.
In Dreamland, Margot Robbie is perfectly cast as a complex woman whose outlaw glamour belies her inner darkness.
The Climb is an exciting and robust debut from Michael Angelo Covino.
Let Him Go is both a period piece — though set in the 1950s, not the Old West — and also a tale pregnant with grief.
Chick Fight never takes advantage of the premise it was trying to flesh out, and loses any feminist credibility it could have had.
André Øvredal’s Mortal is a mature and sober take on the superhero origin story, favoring emotional conflict over physical conflict.
Borat 2 sheds portions of the subtlety seen in the first film in a necessary plea to fully understand the harm of our current administration.