United States
Had Reality been released today, it likely would have attracted more eyeballs to what is truly a fascinating film.
From Ridley Scott’s Alien to David Cronenberg’s The Fly, From Little Shop of Horrors to Frankenstein, Leprechaun 4 not only takes us to the depths.
Admirably, Sew Torn remains winningly earnest in its treatment, aiming for Edgar Wright’s shaggy dogs over Nolan’s smooth criminals.
Like any really good yarn, Secret Mall Apartment has one truly weird story to tell you.
Madame Web is trapped in the past for feeling like a mid-2000s comic book movie too ashamed to evoke its source material
Kiss The Future is a glimmer of what the world can be when we are one – united by the communal goodness and beauty of art.
No Way Up still retains the entertainment factor, no matter its predictability and overarching absurdity.
The investment of Bleeding Love sneaks up on you delivering a deeply cathartic conclusion.
The world is bedazzled by everything Taylor Swift does, and in the wake of Barbenheimer and event cinema being a defining feature of 2023.
Durkin’s moving, muscular tale will astound and captivate you, and is unlikely to leave a dry eye in the house. The Iron Claw is a spectacular triumph.
For this Horrific Inquiry we take a look at 2010’s vampiric Let Me In.
With his fourth feature film Love and Work, Pete Ohs has proven himself a master of creating unique screen stories with remarkably little on-screen frills
Float loses much of its authenticity and charm in the lackluster filler and predictability, drowning with no chance of rescue.
While Gothika may not have stood the test of time, or have the most plausible horror narrative, it delivers an eerie watch.
A multilayered depiction, Good Grief delivers on what its title promises and audiences will find they are richer in experience for it.