United States
Black Panthers shows the resistance group through the words of its own members and the curious eyes of a visitor.
Castle Freak is an interesting update to a familiar horror film, and manages to add more of the Lovecraftian influence back into the world.
Death to 2020 says a farewell to the year in the best way possible, inviting every viewer to join in the experience and the catharsis.
The Dry has just enough mystery and intrigue lingering at every begrimed frame to keep the audiences invested.
Trained focuses on a unique idea but never seems to spring up or explore what’s beneath the surface of it’s chosen gimmick.
Saving Face is a beautifully crafted movie about the fight between family tradition and finding a new way for yourself.
The Midnight Sky is another example of something that could’ve been a complex and emotionally affecting work of science-fiction, but quickly collapses.
If you need a new holiday staple to fill your cinephile holiday binge, look no further than Better Watch Out.
Climate of the Hunter captures the 1970s perfectly, crafting a beautiful film filled with a central mystery that builds in every revelation.
Who knew that in 2020, the messages and words of Anna and the Apocalypse would find new and even deeper meaning.
Lacking excitement, humor or focus, unfortunately, Sister of the Groom is a wedding only fit for 2020.
The story of Rudolph is a celebration of the outcasts, yes, but what makes it gay?
Kirsten Johnson’s film is a wonderful testament to both her aging father and the importance of treasuring the people we love most in life.
Though not without its flaws, Wonder Woman 1984 proves to be a worthy and striking follow-up to an already great prequel.
I’m Your Woman, the fourth feature film directed by Julia Hart, offers some unique twists on the ‘70s crime thriller.