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With Sound of My Voice is celebrating its anniversary this year, now is the time to relive this classic Indie gem or to discover it for the first time.
Malcolm & Marie isn’t a terrible film by any means, but it’s undoubtedly a bewildering mess that collapses under its own weight.
House of Wax boasts an impressive performance by Vincent Price, a strong induction into horror history and proof that remakes are not all bad.
Private Romeo is an adaptation of Shakespeare’s Romeo and Juliet that transposes the action to the fictional McKinley Military Academy.
From its very first beat, Silence & Darkness is filled with a lingering sense of distress, unfortunately gaining traction too late in the game.
This is a series that shows its cards right in the title; it’s about the hunt. And it’s an unforgettable one.
Promising Young Woman sacrifices its opportunity to deliver the ultimate revenge fantasy for something unexpectedly profound and, thematically necessary.
Although I applaud the moments of complexity, the film still falls into many of the same traps by simplifying the philosophical choices down to a binary.
Retirement from the force isn’t just the end of his career — it’s the annihilation of his entire identity.
With History of Swear Words, Netflix delivers entertainment and knowledge regarding those naughty words that have morphed throughout the years.
Pieces of A Woman is remarkable – it’s either the final great film of 2020 or the first masterwork of 2021.
In a retrospective world, now is the time to revisit Splinter – or to discover it for the first time. You won’t be disappointed.
What started as a meme last year on TikTok — that the 2007 Pixar film Ratatouille has Broadway musical potential — unexpectedly exploded in popularity.
In a newly released Blu-Ray from the Criterion Collection, Owen Butler takes a look at Bing Liu’s Minding the Gap.
Shadows is a snapshot of a long gone period, embracing the brash and unfiltered attitude of its era by refusing to omit its mistakes.