United States
This is a series that shows its cards right in the title; it’s about the hunt. And it’s an unforgettable one.
Promising Young Woman sacrifices its opportunity to deliver the ultimate revenge fantasy for something unexpectedly profound and, thematically necessary.
Although I applaud the moments of complexity, the film still falls into many of the same traps by simplifying the philosophical choices down to a binary.
Retirement from the force isn’t just the end of his career — it’s the annihilation of his entire identity.
With History of Swear Words, Netflix delivers entertainment and knowledge regarding those naughty words that have morphed throughout the years.
Pieces of A Woman is remarkable – it’s either the final great film of 2020 or the first masterwork of 2021.
In a retrospective world, now is the time to revisit Splinter – or to discover it for the first time. You won’t be disappointed.
What started as a meme last year on TikTok — that the 2007 Pixar film Ratatouille has Broadway musical potential — unexpectedly exploded in popularity.
In a newly released Blu-Ray from the Criterion Collection, Owen Butler takes a look at Bing Liu’s Minding the Gap.
Shadows is a snapshot of a long gone period, embracing the brash and unfiltered attitude of its era by refusing to omit its mistakes.
Black Panthers shows the resistance group through the words of its own members and the curious eyes of a visitor.
Castle Freak is an interesting update to a familiar horror film, and manages to add more of the Lovecraftian influence back into the world.
Death to 2020 says a farewell to the year in the best way possible, inviting every viewer to join in the experience and the catharsis.
The Dry has just enough mystery and intrigue lingering at every begrimed frame to keep the audiences invested.
Trained focuses on a unique idea but never seems to spring up or explore what’s beneath the surface of it’s chosen gimmick.