United States
At this particular moment, In the Same Breath certainly feels like the COVID-19 documentary that the world needs to see.
Here there’s no such thing as taboo – and that, in the end, is the beauty of Jerrod Carmichael’s directorial debut On the Count of Three.
The Little Things wants to be a movie absorbed in its meticulous clues and details, yet stumbles over itself at nearly every possible moment.
State Legislature, Monrovia, Indiana, and City Hall may each look at different levels of governance, they all present the importance of public service.
With Sound of My Voice is celebrating its anniversary this year, now is the time to relive this classic Indie gem or to discover it for the first time.
Malcolm & Marie isn’t a terrible film by any means, but it’s undoubtedly a bewildering mess that collapses under its own weight.
House of Wax boasts an impressive performance by Vincent Price, a strong induction into horror history and proof that remakes are not all bad.
Private Romeo is an adaptation of Shakespeare’s Romeo and Juliet that transposes the action to the fictional McKinley Military Academy.
From its very first beat, Silence & Darkness is filled with a lingering sense of distress, unfortunately gaining traction too late in the game.
This is a series that shows its cards right in the title; it’s about the hunt. And it’s an unforgettable one.
Promising Young Woman sacrifices its opportunity to deliver the ultimate revenge fantasy for something unexpectedly profound and, thematically necessary.
Although I applaud the moments of complexity, the film still falls into many of the same traps by simplifying the philosophical choices down to a binary.
Retirement from the force isn’t just the end of his career — it’s the annihilation of his entire identity.
With History of Swear Words, Netflix delivers entertainment and knowledge regarding those naughty words that have morphed throughout the years.
Pieces of A Woman is remarkable – it’s either the final great film of 2020 or the first masterwork of 2021.